Matches in DBpedia 2014 for { ?s ?p "Ach Gott, wie manches Herzeleid" (Oh God, how much heartache) is a German hymn in 18 stanzas attributed to Martin Moller (1587). It is a paraphrase of the Latin "Jesu dulcis memoria", a medieval hymn attributed to Bernard of Clairvaux. The hymn is sung to an anonymous tune of "Herr Jesu Christ, meins Lebens Licht", which first appeared in Wolflein Lochamer's Lochamer-Liederbuch, printed in Nürnberg around 1455.Johann Sebastian Bach used it as the base for his chorale cantata Ach Gott, wie manches Herzeleid, BWV 3, composed in Leipzig for the second Sunday after Epiphany, 14 January 1725. He used the first stanza to in the opening movement of his church cantata Ach Gott, wie manches Herzeleid, BWV 58, for the Sunday after New Year's Day, 5 January 1727.Bach used the final three stanzas to conclude his cantata Schau, lieber Gott, wie meine Feind, BWV 153, already for the Sunday after New Year's Day, 2 January 1724, and the first stanza as movement 4 of Sie werden euch in den Bann tun, BWV 44, for Exaudi, the Sunday after Ascension, 21 May 1724.. }
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- Ach_Gott,_wie_manches_Herzeleid abstract ""Ach Gott, wie manches Herzeleid" (Oh God, how much heartache) is a German hymn in 18 stanzas attributed to Martin Moller (1587). It is a paraphrase of the Latin "Jesu dulcis memoria", a medieval hymn attributed to Bernard of Clairvaux. The hymn is sung to an anonymous tune of "Herr Jesu Christ, meins Lebens Licht", which first appeared in Wolflein Lochamer's Lochamer-Liederbuch, printed in Nürnberg around 1455.Johann Sebastian Bach used it as the base for his chorale cantata Ach Gott, wie manches Herzeleid, BWV 3, composed in Leipzig for the second Sunday after Epiphany, 14 January 1725. He used the first stanza to in the opening movement of his church cantata Ach Gott, wie manches Herzeleid, BWV 58, for the Sunday after New Year's Day, 5 January 1727.Bach used the final three stanzas to conclude his cantata Schau, lieber Gott, wie meine Feind, BWV 153, already for the Sunday after New Year's Day, 2 January 1724, and the first stanza as movement 4 of Sie werden euch in den Bann tun, BWV 44, for Exaudi, the Sunday after Ascension, 21 May 1724.".