Matches in DBpedia 2014 for { ?s ?p "Episode 3", later also known as "Rest in Pain", is the fourth episode of the first season of the American mystery television series Twin Peaks. The episode was written by Harley Peyton, and directed by Tina Rathborne. "Episode 3" features series regulars Kyle MacLachlan, Michael Ontkean and Ray Wise, and introduces Sheryl Lee's second role, Maddy Ferguson.Rathborne has highlighted the episode's introduction of Jungian analytical psychology to the series. She also described MacLachlan's character Dale Cooper as not only a wholesome, grounded anchor against which the series' more bizarre elements could be contrasted; but as the central component of the series' coming-of-age "Bildungsroman" narrative."Episode 3" was first broadcast on April 26, 1990, and was viewed by approximately 18 percent of the available audience in its initial airing. The episode received positive reviews from critics, with its mix of comedy and tragedy seen as a highlight, and Miguel Ferrer's character Albert Rosenfield singled out as a particularly successful example of this. The episode also drew praise from The New York Times for its compelling and unusual cast of characters.. }
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- Episode_3_(Twin_Peaks) abstract ""Episode 3", later also known as "Rest in Pain", is the fourth episode of the first season of the American mystery television series Twin Peaks. The episode was written by Harley Peyton, and directed by Tina Rathborne. "Episode 3" features series regulars Kyle MacLachlan, Michael Ontkean and Ray Wise, and introduces Sheryl Lee's second role, Maddy Ferguson.Rathborne has highlighted the episode's introduction of Jungian analytical psychology to the series. She also described MacLachlan's character Dale Cooper as not only a wholesome, grounded anchor against which the series' more bizarre elements could be contrasted; but as the central component of the series' coming-of-age "Bildungsroman" narrative."Episode 3" was first broadcast on April 26, 1990, and was viewed by approximately 18 percent of the available audience in its initial airing. The episode received positive reviews from critics, with its mix of comedy and tragedy seen as a highlight, and Miguel Ferrer's character Albert Rosenfield singled out as a particularly successful example of this. The episode also drew praise from The New York Times for its compelling and unusual cast of characters.".