Matches in DBpedia 2014 for { ?s ?p Boingo is the seventh and final studio album by Oingo Boingo, and the only to be released under their new identity Boingo. Frontman Danny Elfman, whose career as a film score composer was by that time fully formed, decided to completely overhaul Oingo Boingo with a new alternative rock style and line-up. By 1990's Dark at the End of the Tunnel, Elfman felt he was "starting to get bored" with the band's musical direction and that a change was necessary to stay active.Recording for Boingo started in February 1993, but was postponed when Elfman was commissioned to score The Nightmare Before Christmas with his long-time colleague Tim Burton. Upon returning to the project, the band decided most of the work they had recorded was unsatisfactory and began to collectively improvise in the studio; a technique they had never before used. This spontaneity yielded much longer songs than usual for the band, with the majority of the eleven tracks at over five minutes in length. Ultimately, so much material was recorded that several pieces, including "Water" and "Vultures," were left officially unreleased.The instrumentation on Boingo is a dramatic departure from all previous work by the band, making use of both acoustic and electric guitars and dispensing with the familiar synthesisers and horns. Brooding orchestral arrangements make appearances on several tracks, orchestrated and conducted by lead guitarist Steve Bartek. Despite the sinister overtones, the album also features softer themes of love and remorse, evident in ballads such as "Can't See (Useless)". Danny Elfman cited The Beatles as a key influence on his songwriting at the time, even paying homage with a cover of "I Am the Walrus". Notably, the song "Lost Like This" was originally recorded in 1983 for the album Good for Your Soul, but never used; it resurfaced during the early Boingo sessions with numerous revisions.. }
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- Boingo_(album) abstract "Boingo is the seventh and final studio album by Oingo Boingo, and the only to be released under their new identity Boingo. Frontman Danny Elfman, whose career as a film score composer was by that time fully formed, decided to completely overhaul Oingo Boingo with a new alternative rock style and line-up. By 1990's Dark at the End of the Tunnel, Elfman felt he was "starting to get bored" with the band's musical direction and that a change was necessary to stay active.Recording for Boingo started in February 1993, but was postponed when Elfman was commissioned to score The Nightmare Before Christmas with his long-time colleague Tim Burton. Upon returning to the project, the band decided most of the work they had recorded was unsatisfactory and began to collectively improvise in the studio; a technique they had never before used. This spontaneity yielded much longer songs than usual for the band, with the majority of the eleven tracks at over five minutes in length. Ultimately, so much material was recorded that several pieces, including "Water" and "Vultures," were left officially unreleased.The instrumentation on Boingo is a dramatic departure from all previous work by the band, making use of both acoustic and electric guitars and dispensing with the familiar synthesisers and horns. Brooding orchestral arrangements make appearances on several tracks, orchestrated and conducted by lead guitarist Steve Bartek. Despite the sinister overtones, the album also features softer themes of love and remorse, evident in ballads such as "Can't See (Useless)". Danny Elfman cited The Beatles as a key influence on his songwriting at the time, even paying homage with a cover of "I Am the Walrus". Notably, the song "Lost Like This" was originally recorded in 1983 for the album Good for Your Soul, but never used; it resurfaced during the early Boingo sessions with numerous revisions.".