Matches in DBpedia 2014 for { ?s ?p Chhabi Biswas (Bengali: ছবি বিশ্বাস Chhobi Bishshash) (12 July 1900 – 11 June 1962) was a Bengali character actor, primarily known for his performances in Tapan Sinha's Kabuliwala and Satyajit Ray's films Jalshaghar (The Music Room, 1958), Devi (The Goddess, 1960) and Kanchenjungha (1962).He is the best remembered for his numerous roles as the quintessential aristocratic patriarch, was himself the scion of a rich and cultured North Kolkata family. He was born on 12 July 1900. His father Bhupatinath Biswas was well known for his charitable works. He was christened Sachindranath but his mother nicknamed her handsome son Chhabi (a beautiful picture!) and the name stuck throughout his life and career. His portrayal of the formidable father figure, though often typecast, yet was powerful and convincing enough to earn both popular and critical accolades. That portrayal was culturally significant too as in the British Raj, enlightened Bengali used to combined both the hoary tradition and the Anglicised urbanity.. }
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- Chhabi_Biswas abstract "Chhabi Biswas (Bengali: ছবি বিশ্বাস Chhobi Bishshash) (12 July 1900 – 11 June 1962) was a Bengali character actor, primarily known for his performances in Tapan Sinha's Kabuliwala and Satyajit Ray's films Jalshaghar (The Music Room, 1958), Devi (The Goddess, 1960) and Kanchenjungha (1962).He is the best remembered for his numerous roles as the quintessential aristocratic patriarch, was himself the scion of a rich and cultured North Kolkata family. He was born on 12 July 1900. His father Bhupatinath Biswas was well known for his charitable works. He was christened Sachindranath but his mother nicknamed her handsome son Chhabi (a beautiful picture!) and the name stuck throughout his life and career. His portrayal of the formidable father figure, though often typecast, yet was powerful and convincing enough to earn both popular and critical accolades. That portrayal was culturally significant too as in the British Raj, enlightened Bengali used to combined both the hoary tradition and the Anglicised urbanity.".