Matches in DBpedia 2014 for { ?s ?p Collectors' Items is a 1956 studio album by Miles Davis. There are two sessions collected on the album with largely different musicians. The first 1953 session is "Compulsion", "The Serpent's Tooth" (two takes) and "'Round About Midnight". The second 1956 session is "In Your Own Sweet Way", "Vierd Blues" and "No Line". The personnel for the first session were Davis, Sonny Rollins and Charlie Parker (credited under the nom de plume "Charlie Chan" due to his contractual obligations to a rival label) on tenor saxes, Walter Bishop on piano, Percy Heath on bass and Philly Joe Jones on drums. For the second session, the tenor sax was Rollins alone, the piano was Tommy Flanagan, the bass Paul Chambers and Art Taylor on drums.According to the sleeve notes by Ira Gitler, the 1953 session was only the second time Parker had recorded on a tenor sax. According to the CD edition's liner notes, that session was the only time Parker and Rollins recorded together.Parker was also billed as "Charlie Chan" on the 1953 album Jazz at Massey Hall. Also for Parker, this album represented a posthumous release, since it was released a year after his death, in New York City in March 1955.. }
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- Collectors'_Items abstract "Collectors' Items is a 1956 studio album by Miles Davis. There are two sessions collected on the album with largely different musicians. The first 1953 session is "Compulsion", "The Serpent's Tooth" (two takes) and "'Round About Midnight". The second 1956 session is "In Your Own Sweet Way", "Vierd Blues" and "No Line". The personnel for the first session were Davis, Sonny Rollins and Charlie Parker (credited under the nom de plume "Charlie Chan" due to his contractual obligations to a rival label) on tenor saxes, Walter Bishop on piano, Percy Heath on bass and Philly Joe Jones on drums. For the second session, the tenor sax was Rollins alone, the piano was Tommy Flanagan, the bass Paul Chambers and Art Taylor on drums.According to the sleeve notes by Ira Gitler, the 1953 session was only the second time Parker had recorded on a tenor sax. According to the CD edition's liner notes, that session was the only time Parker and Rollins recorded together.Parker was also billed as "Charlie Chan" on the 1953 album Jazz at Massey Hall. Also for Parker, this album represented a posthumous release, since it was released a year after his death, in New York City in March 1955.".