Matches in DBpedia 2014 for { ?s ?p For a period of about four years from 1965 until 1968, overlapping the Summer of Love in both directions of time, there was a small bar in San Francisco on Vallejo Ave (on the opposite side of Columbus Ave from North Beach) called Dino and Carlo's. The bar was owned by and named after Dino Pettuchi and Carlo Morrela. It was managed by Lou 'the Glue' Marcelli who is still well known to patrons of the Dolphin Club in San Francisco. He is known as 'The Commodore'This period of time was an exceptional fertile period in the development of rock and acid rock music.Dino and Carlo's showcased new musical groups, poets and artists. While serving pitchers of dark beer in an even darker environment, the bar allowed many new and up and coming bands to play their music.The beer was cheap. The performers were never paid. They put a hat on the front of the small stage to earn some compensation for their performance. The acoustics were terrible. The clientele included longshoreman and flower children, not necessarily a good mix. No one ever complained because the performances were outstanding.Small bars that last for only a few years are soon forgotten. Dino and Carlo's is exceptional in that it showcased so many "later to be famous" music groups and other personages. While forgotten by many of its patrons, it is remembered by those given the opportunity to perform there.. }
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- Dino_and_Carlo's_Bar abstract "For a period of about four years from 1965 until 1968, overlapping the Summer of Love in both directions of time, there was a small bar in San Francisco on Vallejo Ave (on the opposite side of Columbus Ave from North Beach) called Dino and Carlo's. The bar was owned by and named after Dino Pettuchi and Carlo Morrela. It was managed by Lou 'the Glue' Marcelli who is still well known to patrons of the Dolphin Club in San Francisco. He is known as 'The Commodore'This period of time was an exceptional fertile period in the development of rock and acid rock music.Dino and Carlo's showcased new musical groups, poets and artists. While serving pitchers of dark beer in an even darker environment, the bar allowed many new and up and coming bands to play their music.The beer was cheap. The performers were never paid. They put a hat on the front of the small stage to earn some compensation for their performance. The acoustics were terrible. The clientele included longshoreman and flower children, not necessarily a good mix. No one ever complained because the performances were outstanding.Small bars that last for only a few years are soon forgotten. Dino and Carlo's is exceptional in that it showcased so many "later to be famous" music groups and other personages. While forgotten by many of its patrons, it is remembered by those given the opportunity to perform there.".