Matches in DBpedia 2014 for { ?s ?p Founded in 1986, La Communauté électroacoustique canadienne / The Canadian Electroacoustic Community (CEC) is Canada’s national electroacoustic / computer music / sonic arts organization and as such is dedicated to promoting this progressive art form in its broadest definition: from “pure” acousmatic and computer music to soundscape and sonic art to hardware hacking and beyond.Among the objectives, as written in the Bylaws of the corporation, are the “support, development, production, distribution of information, materials, works... for the ea/cm community in Canada... with continuing special concern for the younger generation of individuals and women in this community. The CEC recognizes and supports the principle of sexual equality, and also, the equal status of English and French.”The CEC endeavours to foster a broad, diverse and inclusive community of electroacoustic practitioners, raise the profile of electroacoustics in the Canadian arts milieu, and to promote Canadian electroacoustic composers and activities across Canada and internationally. The various ongoing and singular CEC activities aim to maintain and strengthen communications and information flow concerning electroacoustics.With projects such as the electronic journal eContact!, the online jukebox SONUS, the annual Jeu de temps / Times Play (JTTP) project for Canadian-based young and emerging sound artists, and the Cache, PRESENCE and DISContact! CD compilation series, the CEC offers Canadian electroacousticians a venue to both promote themselves and participate within the global community, thereby fostering mutual awareness and benefit in the international scene.. }
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- Canadian_Electroacoustic_Community abstract "Founded in 1986, La Communauté électroacoustique canadienne / The Canadian Electroacoustic Community (CEC) is Canada’s national electroacoustic / computer music / sonic arts organization and as such is dedicated to promoting this progressive art form in its broadest definition: from “pure” acousmatic and computer music to soundscape and sonic art to hardware hacking and beyond.Among the objectives, as written in the Bylaws of the corporation, are the “support, development, production, distribution of information, materials, works... for the ea/cm community in Canada... with continuing special concern for the younger generation of individuals and women in this community. The CEC recognizes and supports the principle of sexual equality, and also, the equal status of English and French.”The CEC endeavours to foster a broad, diverse and inclusive community of electroacoustic practitioners, raise the profile of electroacoustics in the Canadian arts milieu, and to promote Canadian electroacoustic composers and activities across Canada and internationally. The various ongoing and singular CEC activities aim to maintain and strengthen communications and information flow concerning electroacoustics.With projects such as the electronic journal eContact!, the online jukebox SONUS, the annual Jeu de temps / Times Play (JTTP) project for Canadian-based young and emerging sound artists, and the Cache, PRESENCE and DISContact! CD compilation series, the CEC offers Canadian electroacousticians a venue to both promote themselves and participate within the global community, thereby fostering mutual awareness and benefit in the international scene.".