Matches in DBpedia 2014 for { ?s ?p Jeffrey Harris (born, Akaroa, 1949) is a New Zealand artist. Harris started his career in Christchurch, moving to Dunedin, New Zealand in 1969. In the early 1980s he worked briefly in the United States, before moving to Melbourne, Australia in 1986. In 2000 he returned to Dunedin, where he still lives. Largely self-taught, but mentored by notable New Zealand artists such as Michael Smither and Ralph Hotere, he has painted full-time since 1970. Harris's works are mainly large expressionistic canvases depicting family groups in daily situations. These works, based to a large extent on the artist's own life, often have strong symbolic meanings for the artist. From the mid-1980s until the turn of the century, Harris began producing powerful monochromatic abstracts - these works coincided with the period when Harris was working in Australia. Since his return to Dunedin, Harris's work has turned back to his earlier figurative styles, though often concentrating more on religious iconography rather than domestic scenes.. }
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- Jeffrey_Harris_(artist) abstract "Jeffrey Harris (born, Akaroa, 1949) is a New Zealand artist. Harris started his career in Christchurch, moving to Dunedin, New Zealand in 1969. In the early 1980s he worked briefly in the United States, before moving to Melbourne, Australia in 1986. In 2000 he returned to Dunedin, where he still lives. Largely self-taught, but mentored by notable New Zealand artists such as Michael Smither and Ralph Hotere, he has painted full-time since 1970. Harris's works are mainly large expressionistic canvases depicting family groups in daily situations. These works, based to a large extent on the artist's own life, often have strong symbolic meanings for the artist. From the mid-1980s until the turn of the century, Harris began producing powerful monochromatic abstracts - these works coincided with the period when Harris was working in Australia. Since his return to Dunedin, Harris's work has turned back to his earlier figurative styles, though often concentrating more on religious iconography rather than domestic scenes.".