Matches in DBpedia 2014 for { ?s ?p Joymoti or Joimoti (Assamese: জয়মতী), released on 10 March 1935, was the first Assamese film made. Based on Lakshminath Bezbaroa's play about the 17th-century Ahom princess Soti Joymoti, the film was produced and directed by the noted Assamese poet, author, and film-maker Jyoti Prasad Agarwala, and starred Aideu Handique and acclaimed stage actor and playwright Phani Sarma. The film, shot between 1933 and 1935, was released by Chitralekha Movietone in 1935 and marked the beginning of Assamese cinema.Joymoti was screened at the 50th International Conference of the Society For Cinema and Media Studies (SCMC) of Northwestern University in Evanston, Illinois, in March 2011.Other screenings include: India-Bangladesh Joint Celebration of 100 Years of Indian Cinema, Dhaka (2012) UCLA's Centre for India and South Asia Studies, Los Angeles (April 2010) Osian-Cinefan's 10th Film Festival of Asian and Arabic Cinema, New Delhi (2008) Filmbüro Baden Württemberg's Internationales Indisches Filmfestival, Stuttgart (2006) Asiaticafilmidale (Encounters with Asian Cinema), Rome (2006) Munich Film Festival (2006).Although never a commercial success, Joymoti was noted for its political views and the use of a female protagonist, something almost unheard of in Indian cinema of the time.Partly lost today, the film was the third Indian talkie, and the first to engage with "realism" and politics in Indian cinema. The film has been restored in part by Altaf Mazid.. }
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- Joymoti_(1935_film) abstract "Joymoti or Joimoti (Assamese: জয়মতী), released on 10 March 1935, was the first Assamese film made. Based on Lakshminath Bezbaroa's play about the 17th-century Ahom princess Soti Joymoti, the film was produced and directed by the noted Assamese poet, author, and film-maker Jyoti Prasad Agarwala, and starred Aideu Handique and acclaimed stage actor and playwright Phani Sarma. The film, shot between 1933 and 1935, was released by Chitralekha Movietone in 1935 and marked the beginning of Assamese cinema.Joymoti was screened at the 50th International Conference of the Society For Cinema and Media Studies (SCMC) of Northwestern University in Evanston, Illinois, in March 2011.Other screenings include: India-Bangladesh Joint Celebration of 100 Years of Indian Cinema, Dhaka (2012) UCLA's Centre for India and South Asia Studies, Los Angeles (April 2010) Osian-Cinefan's 10th Film Festival of Asian and Arabic Cinema, New Delhi (2008) Filmbüro Baden Württemberg's Internationales Indisches Filmfestival, Stuttgart (2006) Asiaticafilmidale (Encounters with Asian Cinema), Rome (2006) Munich Film Festival (2006).Although never a commercial success, Joymoti was noted for its political views and the use of a female protagonist, something almost unheard of in Indian cinema of the time.Partly lost today, the film was the third Indian talkie, and the first to engage with "realism" and politics in Indian cinema. The film has been restored in part by Altaf Mazid.".