Matches in DBpedia 2014 for { ?s ?p Number One is the first full-length studio album released by the British singer Billie Godfrey, in 2001. Godfrey sings entirely in Japanese despite not being a native Japanese speaker - something no other western artist has so far achieved. It was released in Japan but also sold in the UK and US as an import. The concept for the album was conceived and produced by Mark Summers for his music label Scorccio Records (now known as Scorccio Sample Replays). His vision was to produce Pop and R&B songs for the Japanese market, to be sung in Japanese - but sung by a native English vocalist. The English written songs were all translated into Japanese by musician Emiko Kawakami, following this Summers and Godfrey booked 5 days at a West London studio to record all the vocals for the album.[citation needed] Within the first hour of recording, it soon became apparent how difficult it was for anyone non-Japanese to read the translated text and sing it fluently.[citation needed] Mark Summers then quickly devised a phonetic technique for Billie Godfrey - to be able to sing as if she was fluent in Japanese, which most listeners in Japan believed she truly was.[citation needed]. }
Showing items 1 to 1 of
1
with 100 items per page.
- Number_One_(Billie_Godfrey_album) abstract "Number One is the first full-length studio album released by the British singer Billie Godfrey, in 2001. Godfrey sings entirely in Japanese despite not being a native Japanese speaker - something no other western artist has so far achieved. It was released in Japan but also sold in the UK and US as an import. The concept for the album was conceived and produced by Mark Summers for his music label Scorccio Records (now known as Scorccio Sample Replays). His vision was to produce Pop and R&B songs for the Japanese market, to be sung in Japanese - but sung by a native English vocalist. The English written songs were all translated into Japanese by musician Emiko Kawakami, following this Summers and Godfrey booked 5 days at a West London studio to record all the vocals for the album.[citation needed] Within the first hour of recording, it soon became apparent how difficult it was for anyone non-Japanese to read the translated text and sing it fluently.[citation needed] Mark Summers then quickly devised a phonetic technique for Billie Godfrey - to be able to sing as if she was fluent in Japanese, which most listeners in Japan believed she truly was.[citation needed]".