Matches in DBpedia 2014 for { ?s ?p The Moviegoer is the seventh studio album by the American solo artist Scott Walker. It was released in October 1972 but failed to chart. No singles were released from the album, though "This Way Mary" was later released as a b-side to Walker's 1973 single "The Me I Never Knew". The album consists solely of renditions of film theme songs originally performed by other artists.The album was the first of six studio albums in which Walker did not contribute original material. Having lost creative control of his music after the commercial failures of his previous two studio albums Scott 4 and 'Til the Band Comes In, Walker was tasked with recording "inoffensive, middle-of-the-road material that could be easily processed, marketed and sold". By way of compromise Walker had some say in the song selection and drew together a selection of themes from some of his favourite films.The album was recorded quickly in the autumn of 1972 with Walker's usual studio team consisting of producer Johnny Franz and engineer Peter J. Olliff. In a change from previous work, Robert Cornford was brought-in to produce the orchestral arrangements. Despite a push for commercial viability the album received negative reviews when released as an LP in October 1972. The album was re-issued in 1975 by Contour record label with new sleeve art. The album has since been deleted and has not been reissued.. }
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- The_Moviegoer_(album) abstract "The Moviegoer is the seventh studio album by the American solo artist Scott Walker. It was released in October 1972 but failed to chart. No singles were released from the album, though "This Way Mary" was later released as a b-side to Walker's 1973 single "The Me I Never Knew". The album consists solely of renditions of film theme songs originally performed by other artists.The album was the first of six studio albums in which Walker did not contribute original material. Having lost creative control of his music after the commercial failures of his previous two studio albums Scott 4 and 'Til the Band Comes In, Walker was tasked with recording "inoffensive, middle-of-the-road material that could be easily processed, marketed and sold". By way of compromise Walker had some say in the song selection and drew together a selection of themes from some of his favourite films.The album was recorded quickly in the autumn of 1972 with Walker's usual studio team consisting of producer Johnny Franz and engineer Peter J. Olliff. In a change from previous work, Robert Cornford was brought-in to produce the orchestral arrangements. Despite a push for commercial viability the album received negative reviews when released as an LP in October 1972. The album was re-issued in 1975 by Contour record label with new sleeve art. The album has since been deleted and has not been reissued.".