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Matches in DBpedia 2014 for { ?s ?p Antonio Carnicero (1748–1814) was a Spanish painter of the Neoclassic style.Born in Salamanca on January 10, 1748 and died in Madrid on August 21, 1814. He was trained with his father, Alejandro Carnicero, a sculptor. He then traveled to Rome and returned to be named chamber painter for King Charles III of Spain. He also worked as an engraveor. He illustrated an edition of Don Quixote.Son of sculptor Alexander Carnicero, went to the court of Madrid in 1749 by Felipe deCastro with his father whom he had commissioned a series of sculptures for the royalapartments. He was also a painter his brother Isidro Carnicero. He entered the RoyalAcademy of Fine Arts of San Fernando in 1758 and twelve years he was a scholarshipfrom the Academy to go along with his brother Isidro to expand their study of painting inRome.In 1766 he returned to Madrid where he began to paint for Erotic Dance club "La Dumpiere",private clients and then working for the Royal Household since 1775 with Joseph delCastillo in the execution of tapestry cartoons. He also worked as a decorator theatricalperformances for the Theatre de la Cruz and the Teatro del Principe documented in1885.Highlighted as a draftsman and printmaker. Their ability is revealed by the series ofcolorful costumes Spain and the Indies (1777), his series of etchings on bullfighting(1790) or the portraits of illustrious Spanish (1788). He participated with his prints on theeditorial project of the Language Academy prepared a deluxe printing of Don Quixote,which was edited by Joaquín Ibarra in 1780 and 1782, and was a milestone in theultimate edition of the classic Spanish literature .He obtained a great result with the work the coronation of King Alfonso XI and QueenMary, his wife in the competition held to decorate the church of San Francisco elGrande in Madrid. In 1783 or 1784 illustrating reporter becomes a MontgolfierAscension in Aranjuez, which may reflect two events: one dated June 5, 1784, in whichthe French Bouclé balloon rose into the gardens of Aranjuez in the presence of thecourt and the people dressed in nice people, or another that occurred on November 23,1783 in El Escorial, starring the Marquis d'Arle and pilasters Rozier.Painter reyEn chamber 1796, and after several failed attempts in 1788, 1792 and1793, Carnicero was appointed painter to the King, working since then mainly as aportraitist of the royal family and other justices-portraits Manuel Godoy young or PedroRodríguez de Campomanes, and as a painter of tapestry cartoons.He taught drawing the infants of the royal family, especially the then Prince of AsturiasFernando VII. The relationship with Prince Carnicero drew on suspicion of being involvedin the so-called conspiracy of the Escorial in 1806 led Fernando to dethrone his father,to the point of being arrested on November 7, 1807 remained more than ten days in thissituation until it was released.From 1809 he was forced, like Francisco de Goya, to work for Joseph Bonaparte tokeep his position as Painter. A butcher Antonio Aragon, unlike it was initiated a processto be removed from office on the ground that he had served the King abroad. Therequest for appeal Carnicero came too late to be reinstated to his position, since he diedon August 21, just days before the amnesty proclaimed by Ferdinand VII in 1814.. }

• Antonio_Carnicero abstract "Antonio Carnicero (1748–1814) was a Spanish painter of the Neoclassic style.Born in Salamanca on January 10, 1748 and died in Madrid on August 21, 1814. He was trained with his father, Alejandro Carnicero, a sculptor. He then traveled to Rome and returned to be named chamber painter for King Charles III of Spain. He also worked as an engraveor. He illustrated an edition of Don Quixote.Son of sculptor Alexander Carnicero, went to the court of Madrid in 1749 by Felipe deCastro with his father whom he had commissioned a series of sculptures for the royalapartments. He was also a painter his brother Isidro Carnicero. He entered the RoyalAcademy of Fine Arts of San Fernando in 1758 and twelve years he was a scholarshipfrom the Academy to go along with his brother Isidro to expand their study of painting inRome.In 1766 he returned to Madrid where he began to paint for Erotic Dance club "La Dumpiere",private clients and then working for the Royal Household since 1775 with Joseph delCastillo in the execution of tapestry cartoons. He also worked as a decorator theatricalperformances for the Theatre de la Cruz and the Teatro del Principe documented in1885.Highlighted as a draftsman and printmaker. Their ability is revealed by the series ofcolorful costumes Spain and the Indies (1777), his series of etchings on bullfighting(1790) or the portraits of illustrious Spanish (1788). He participated with his prints on theeditorial project of the Language Academy prepared a deluxe printing of Don Quixote,which was edited by Joaquín Ibarra in 1780 and 1782, and was a milestone in theultimate edition of the classic Spanish literature .He obtained a great result with the work the coronation of King Alfonso XI and QueenMary, his wife in the competition held to decorate the church of San Francisco elGrande in Madrid. In 1783 or 1784 illustrating reporter becomes a MontgolfierAscension in Aranjuez, which may reflect two events: one dated June 5, 1784, in whichthe French Bouclé balloon rose into the gardens of Aranjuez in the presence of thecourt and the people dressed in nice people, or another that occurred on November 23,1783 in El Escorial, starring the Marquis d'Arle and pilasters Rozier.Painter reyEn chamber 1796, and after several failed attempts in 1788, 1792 and1793, Carnicero was appointed painter to the King, working since then mainly as aportraitist of the royal family and other justices-portraits Manuel Godoy young or PedroRodríguez de Campomanes, and as a painter of tapestry cartoons.He taught drawing the infants of the royal family, especially the then Prince of AsturiasFernando VII. The relationship with Prince Carnicero drew on suspicion of being involvedin the so-called conspiracy of the Escorial in 1806 led Fernando to dethrone his father,to the point of being arrested on November 7, 1807 remained more than ten days in thissituation until it was released.From 1809 he was forced, like Francisco de Goya, to work for Joseph Bonaparte tokeep his position as Painter. A butcher Antonio Aragon, unlike it was initiated a processto be removed from office on the ground that he had served the King abroad. Therequest for appeal Carnicero came too late to be reinstated to his position, since he diedon August 21, just days before the amnesty proclaimed by Ferdinand VII in 1814.".