Matches in DBpedia 2014 for { ?s ?p Bob Stewart (born February 3, 1945 in Sioux Falls, South Dakota), is an American tuba player. He received his Bachelor of Music Education degree from the Philadelphia College of the Performing Arts and his Masters in Education from Lehman College Graduate School. Stewart taught music in Pennsylvania public schools and at the Fiorello H. LaGuardia High School of Music & Art and Performing Arts in New York City. He is now a professor at the Juilliard School and is a "Distinguished Lecturer" at Lehman College.Stewart has toured and recorded with such artists as Charles Mingus, Gil Evans, Carla Bley, Muhal Richard Abrams, David Murray, Taj Mahal, Dizzy Gillespie, McCoy Tyner, Arthur Blythe, Freddie Hubbard, Don Cherry, Nicholas Payton, Wynton Marsalis, Charlie Haden, Lester Bowie, Bill Frisell and many others both in the United States, Europe and the Far East. In their review of Blythe's album Lenox Avenue Breakdown, the editors of The Penguin Guide to Jazz called Stewart's title track solo "one of the few genuinely important tuba statements in jazz.". }
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- Bob_Stewart_(musician) abstract "Bob Stewart (born February 3, 1945 in Sioux Falls, South Dakota), is an American tuba player. He received his Bachelor of Music Education degree from the Philadelphia College of the Performing Arts and his Masters in Education from Lehman College Graduate School. Stewart taught music in Pennsylvania public schools and at the Fiorello H. LaGuardia High School of Music & Art and Performing Arts in New York City. He is now a professor at the Juilliard School and is a "Distinguished Lecturer" at Lehman College.Stewart has toured and recorded with such artists as Charles Mingus, Gil Evans, Carla Bley, Muhal Richard Abrams, David Murray, Taj Mahal, Dizzy Gillespie, McCoy Tyner, Arthur Blythe, Freddie Hubbard, Don Cherry, Nicholas Payton, Wynton Marsalis, Charlie Haden, Lester Bowie, Bill Frisell and many others both in the United States, Europe and the Far East. In their review of Blythe's album Lenox Avenue Breakdown, the editors of The Penguin Guide to Jazz called Stewart's title track solo "one of the few genuinely important tuba statements in jazz."".