Matches in DBpedia 2014 for { ?s ?p Music for Real Airports is the ninth full length studio album by The Black Dog released in 2010 on CD, vinyl and as flac file download. It was written and produced by Ken Downie, Martin and Richard Dust.The album was a collaborative project for art galleries soundtracked by The Black Dog, with visual media created by design studio Human.Human is a creative agency founded in 2007 by Nick Bax, formerly a director of The Designers Republic (tDR).Inspiration came from Brian Eno's and his album Music for Airports. The band explained the concept in their press release: "Airports have some of the glossiest surfaces in modern culture, but the fear underneath remains. Hence this record is not a utilitarian accompaniment to airports, in the sense of reinforcing the false utopia and fake idealism of air travel. Unlike Eno's Music for Airports, this is not a record to be used by airport authorities to lull their customers. ... While on tour, the Black Dog made 200 hours of field recordings, much of which was processed and combined with new music in the airport itself, waiting for the next flight. This vast amount of content has been slowly distilled into a set of particularly evocative pieces of music.". }
Showing items 1 to 1 of
1
with 100 items per page.
- Music_for_Real_Airports abstract "Music for Real Airports is the ninth full length studio album by The Black Dog released in 2010 on CD, vinyl and as flac file download. It was written and produced by Ken Downie, Martin and Richard Dust.The album was a collaborative project for art galleries soundtracked by The Black Dog, with visual media created by design studio Human.Human is a creative agency founded in 2007 by Nick Bax, formerly a director of The Designers Republic (tDR).Inspiration came from Brian Eno's and his album Music for Airports. The band explained the concept in their press release: "Airports have some of the glossiest surfaces in modern culture, but the fear underneath remains. Hence this record is not a utilitarian accompaniment to airports, in the sense of reinforcing the false utopia and fake idealism of air travel. Unlike Eno's Music for Airports, this is not a record to be used by airport authorities to lull their customers. ... While on tour, the Black Dog made 200 hours of field recordings, much of which was processed and combined with new music in the airport itself, waiting for the next flight. This vast amount of content has been slowly distilled into a set of particularly evocative pieces of music."".