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Matches in Harvard for { ?s ?p "Prospero's "True Preservers" is a performance study and analysis of six productions of The Tempest (three by Peter Brooks, two by Giorgio Strehler, and one by Yukio Ninagawa), each performed in a different decade since World War II, and employing four different languages (English, Italian, French, and Japanese). This study explores the ways in which each of these productions reflects the historic period and cultural milieu in which it was mounted.. }

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