Matches in Harvard for { ?s ?p 1. The subterfuge of art: Lawrence, Freud, and "verbal consciousness" -- Literature and regression -- 2. Wordsworth: The Arab dream: the language behind nature and art -- 3. Keats: The language of gods and men: the fragmented world of the Hyperion poems -- 4. Keats: "Awake, sweet dreamer!": narrator and reader in "The eve of St. Agnes" -- 5. W.B. Yeats: The vision of evil and poetic objectivity in "Nineteen hundred and nineteen" -- 6. W.B. Yeats: "Her vision in the wood" as tragic art: a "hollow image of fulfilled desire" -- 7. E.M. Forster: The vision of evil in fiction: the narrative structure of A passage to India -- 8. D.H. Lawrence: The new vocabulary of Women in love: speech and art-speech -- Silence in Women in love -- 9. Epilogue: The word -- The echo.. }
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- catalog description "1. The subterfuge of art: Lawrence, Freud, and "verbal consciousness" -- Literature and regression -- 2. Wordsworth: The Arab dream: the language behind nature and art -- 3. Keats: The language of gods and men: the fragmented world of the Hyperion poems -- 4. Keats: "Awake, sweet dreamer!": narrator and reader in "The eve of St. Agnes" -- 5. W.B. Yeats: The vision of evil and poetic objectivity in "Nineteen hundred and nineteen" -- 6. W.B. Yeats: "Her vision in the wood" as tragic art: a "hollow image of fulfilled desire" -- 7. E.M. Forster: The vision of evil in fiction: the narrative structure of A passage to India -- 8. D.H. Lawrence: The new vocabulary of Women in love: speech and art-speech -- Silence in Women in love -- 9. Epilogue: The word -- The echo.".
- catalog tableOfContents "1. The subterfuge of art: Lawrence, Freud, and "verbal consciousness" -- Literature and regression -- 2. Wordsworth: The Arab dream: the language behind nature and art -- 3. Keats: The language of gods and men: the fragmented world of the Hyperion poems -- 4. Keats: "Awake, sweet dreamer!": narrator and reader in "The eve of St. Agnes" -- 5. W.B. Yeats: The vision of evil and poetic objectivity in "Nineteen hundred and nineteen" -- 6. W.B. Yeats: "Her vision in the wood" as tragic art: a "hollow image of fulfilled desire" -- 7. E.M. Forster: The vision of evil in fiction: the narrative structure of A passage to India -- 8. D.H. Lawrence: The new vocabulary of Women in love: speech and art-speech -- Silence in Women in love -- 9. Epilogue: The word -- The echo.".