Matches in Harvard for { ?s ?p Black magic, disembodied. Marlon Brando's jazz acting and the obsolescence of blackface ; Borrowing Black masculinity: Dirty Harry finds his gentle side ; Passing tones: The talented Mr. Ripley and Pleasantville -- Black magic, for Whites only. The racial displacements of Ransom and Fargo ; Black angels in America : millennial solutions to the "race problem" -- Unrepresentable subjects. Evidence : Thelonious Monk's challenge to jazz history ; The revenge of the Nerds : representing the White male collector of Black music -- Syncretic alternatives. Robert Altman's jazz history lesson ; Spike Lee meets Aaron Copland.. }
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- catalog description "Black magic, disembodied. Marlon Brando's jazz acting and the obsolescence of blackface ; Borrowing Black masculinity: Dirty Harry finds his gentle side ; Passing tones: The talented Mr. Ripley and Pleasantville -- Black magic, for Whites only. The racial displacements of Ransom and Fargo ; Black angels in America : millennial solutions to the "race problem" -- Unrepresentable subjects. Evidence : Thelonious Monk's challenge to jazz history ; The revenge of the Nerds : representing the White male collector of Black music -- Syncretic alternatives. Robert Altman's jazz history lesson ; Spike Lee meets Aaron Copland.".
- catalog tableOfContents "Black magic, disembodied. Marlon Brando's jazz acting and the obsolescence of blackface ; Borrowing Black masculinity: Dirty Harry finds his gentle side ; Passing tones: The talented Mr. Ripley and Pleasantville -- Black magic, for Whites only. The racial displacements of Ransom and Fargo ; Black angels in America : millennial solutions to the "race problem" -- Unrepresentable subjects. Evidence : Thelonious Monk's challenge to jazz history ; The revenge of the Nerds : representing the White male collector of Black music -- Syncretic alternatives. Robert Altman's jazz history lesson ; Spike Lee meets Aaron Copland.".