Matches in Harvard for { ?s ?p Foreword -- STEP ONE: The horizon -- The vanishing point -- The eye-level -- STEP TWO: The eye-level and its relationship to perspective drawing -- STEP THREE: Parallel lines as we see them -- Parallel lines to one-point perspective -- STEP FOUR: The three sets of parallels -- Locating the point and the eye-level -- STEP FIVE: The two vanishing points -- The "height" line -- STEP SIX: Placing the two vanishing points -- The error of close spacing -- STEP SEVEN: Showing how the vanish points move in relationship to one another -- STEP EIGHT: Building perspective with bricks -- STEP NINE: Placing figures and objects in a drawing -- STEP TEN: Center of interest -- Changing the view -- Roofs in perspective -- STEP ELEVEN: Interiors -- Placing the furniture -- STEP TWELVE: Finding the center -- Dividing spaces into halves -- Practical applications -- STEP THIRTEEN: Cylinders in perspective -- Drawing ellipses -- STEP FOURTEEN: Practical uses of cylinders in drawings -- Dividing the circle -- STEP FIFTEEN: Dividing a surface in perspective -- Drawing a checkerboard -- STEP SIXTEEN: Shade and shadow -- STEP SEVENTEEN: Reflections -- STEP EIGHTEEN: Unusual perspectives -- Up-and-down points -- Examples -- STEP NINETEEN: Perspective downhill -- Perspective uphill -- The false eye-level -- STEP TWENTY: Mechanical perspective.. }
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- catalog description "Foreword -- STEP ONE: The horizon -- The vanishing point -- The eye-level -- STEP TWO: The eye-level and its relationship to perspective drawing -- STEP THREE: Parallel lines as we see them -- Parallel lines to one-point perspective -- STEP FOUR: The three sets of parallels -- Locating the point and the eye-level -- STEP FIVE: The two vanishing points -- The "height" line -- STEP SIX: Placing the two vanishing points -- The error of close spacing -- STEP SEVEN: Showing how the vanish points move in relationship to one another -- STEP EIGHT: Building perspective with bricks -- STEP NINE: Placing figures and objects in a drawing -- STEP TEN: Center of interest -- Changing the view -- Roofs in perspective -- STEP ELEVEN: Interiors -- Placing the furniture -- STEP TWELVE: Finding the center -- Dividing spaces into halves -- Practical applications -- STEP THIRTEEN: Cylinders in perspective -- Drawing ellipses -- STEP FOURTEEN: Practical uses of cylinders in drawings -- Dividing the circle -- STEP FIFTEEN: Dividing a surface in perspective -- Drawing a checkerboard -- STEP SIXTEEN: Shade and shadow -- STEP SEVENTEEN: Reflections -- STEP EIGHTEEN: Unusual perspectives -- Up-and-down points -- Examples -- STEP NINETEEN: Perspective downhill -- Perspective uphill -- The false eye-level -- STEP TWENTY: Mechanical perspective.".
- catalog tableOfContents "Foreword -- STEP ONE: The horizon -- The vanishing point -- The eye-level -- STEP TWO: The eye-level and its relationship to perspective drawing -- STEP THREE: Parallel lines as we see them -- Parallel lines to one-point perspective -- STEP FOUR: The three sets of parallels -- Locating the point and the eye-level -- STEP FIVE: The two vanishing points -- The "height" line -- STEP SIX: Placing the two vanishing points -- The error of close spacing -- STEP SEVEN: Showing how the vanish points move in relationship to one another -- STEP EIGHT: Building perspective with bricks -- STEP NINE: Placing figures and objects in a drawing -- STEP TEN: Center of interest -- Changing the view -- Roofs in perspective -- STEP ELEVEN: Interiors -- Placing the furniture -- STEP TWELVE: Finding the center -- Dividing spaces into halves -- Practical applications -- STEP THIRTEEN: Cylinders in perspective -- Drawing ellipses -- STEP FOURTEEN: Practical uses of cylinders in drawings -- Dividing the circle -- STEP FIFTEEN: Dividing a surface in perspective -- Drawing a checkerboard -- STEP SIXTEEN: Shade and shadow -- STEP SEVENTEEN: Reflections -- STEP EIGHTEEN: Unusual perspectives -- Up-and-down points -- Examples -- STEP NINETEEN: Perspective downhill -- Perspective uphill -- The false eye-level -- STEP TWENTY: Mechanical perspective.".