Matches in Harvard for { ?s ?p Introduction: first and last romantics -- The internalization of quest romance -- Visionary cinema of romantic poetry -- Dialectic of The marriage of heaven and hell -- Blake's Jerusalem: the bard of sensibility and the form of prophecy -- Napoleon and Prometheus: the romantic myth of organic energy -- The unpastured sea: an introduction to Shelley -- Frankenstein, or The modern Prometheus -- Keats and the embarrassments of poetic tradition -- Tennyson, Hallam, and romantic tradition -- Browning's Childe Roland: all things deformed and broken -- Ruskin as literary critic -- The place of pater: Marius the Epicurean -- Lawrence, Eliot, Blackmur, and the tortoise -- Poetic misprision: three cases. Auden: Christianity and Art. Borges: a compass for the labyrinth. On Ginsberg's Kaddish -- The central man: Emerson, Whitman, Wallace Stevens -- Notes toward a supreme fiction: a commentary -- A.R. Ammons: "When you consider the radiance" -- Bacchus and Merlin: the dialectic of romantic poetry in America -- "To reason with the later reason": romanticism and the rational -- Epilogue: a new romanticism? Another decadence?. }
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- catalog description "Introduction: first and last romantics -- The internalization of quest romance -- Visionary cinema of romantic poetry -- Dialectic of The marriage of heaven and hell -- Blake's Jerusalem: the bard of sensibility and the form of prophecy -- Napoleon and Prometheus: the romantic myth of organic energy -- The unpastured sea: an introduction to Shelley -- Frankenstein, or The modern Prometheus -- Keats and the embarrassments of poetic tradition -- Tennyson, Hallam, and romantic tradition -- Browning's Childe Roland: all things deformed and broken -- Ruskin as literary critic -- The place of pater: Marius the Epicurean -- Lawrence, Eliot, Blackmur, and the tortoise -- Poetic misprision: three cases. Auden: Christianity and Art. Borges: a compass for the labyrinth. On Ginsberg's Kaddish -- The central man: Emerson, Whitman, Wallace Stevens -- Notes toward a supreme fiction: a commentary -- A.R. Ammons: "When you consider the radiance" -- Bacchus and Merlin: the dialectic of romantic poetry in America -- "To reason with the later reason": romanticism and the rational -- Epilogue: a new romanticism? Another decadence?".
- catalog tableOfContents "Introduction: first and last romantics -- The internalization of quest romance -- Visionary cinema of romantic poetry -- Dialectic of The marriage of heaven and hell -- Blake's Jerusalem: the bard of sensibility and the form of prophecy -- Napoleon and Prometheus: the romantic myth of organic energy -- The unpastured sea: an introduction to Shelley -- Frankenstein, or The modern Prometheus -- Keats and the embarrassments of poetic tradition -- Tennyson, Hallam, and romantic tradition -- Browning's Childe Roland: all things deformed and broken -- Ruskin as literary critic -- The place of pater: Marius the Epicurean -- Lawrence, Eliot, Blackmur, and the tortoise -- Poetic misprision: three cases. Auden: Christianity and Art. Borges: a compass for the labyrinth. On Ginsberg's Kaddish -- The central man: Emerson, Whitman, Wallace Stevens -- Notes toward a supreme fiction: a commentary -- A.R. Ammons: "When you consider the radiance" -- Bacchus and Merlin: the dialectic of romantic poetry in America -- "To reason with the later reason": romanticism and the rational -- Epilogue: a new romanticism? Another decadence?".