Matches in Harvard for { ?s ?p Introduction: the reality of imaginary communities -- Genre and the spatial histories of modernity: The institutional being of genre ; Space and modernity ; Estrangement and the temporality of utopia -- Utopia and the birth of nations: Re-authoring, or The origins of institutions ; Utopiques and conceptualized space ; Crime and history ; Utopia and the nation-thing ; Utopia and the work of nations -- Writing the new American (re)public : remembering and forgetting in Looking backward: Remembering ; The contemporary cul-de-sac ; Fragmentation ; Consumerism and class ; "The associations of our acive lifetime" ; Forgetting -- The occluded future : Red star and The iron heel as "critical utopias": Red star and the horizons of Russian modernity ; The long revolution of The iron heel ; "Nameless, formless things" ; "Gaseous vertebrate" ; Simplification and the new subject of history -- A map of utopia's "possible worlds" : Zamyatin's We and Le Guin's The dispossessed: Reclaiming We for utopia ; The city and the country ; Happiness and freedom ; The play of possible worlds ; We's legacy : The dispossessed and the limits of the horizon -- Modernity, nostalgia, and the ends of nations in Orwell's Nineteen eighty-four: From utopian modernism to naturalist utopia ; Orwell and Mannheim : Nineteen eighty-four as "conservative utopia" ; The crisis of modern reason ; Modernization against modernity : the culture industry and "secondary orality" ; "If there was hope ..." : Orwell's intellectuals.. }
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- catalog description "Introduction: the reality of imaginary communities -- Genre and the spatial histories of modernity: The institutional being of genre ; Space and modernity ; Estrangement and the temporality of utopia -- Utopia and the birth of nations: Re-authoring, or The origins of institutions ; Utopiques and conceptualized space ; Crime and history ; Utopia and the nation-thing ; Utopia and the work of nations -- Writing the new American (re)public : remembering and forgetting in Looking backward: Remembering ; The contemporary cul-de-sac ; Fragmentation ; Consumerism and class ; "The associations of our acive lifetime" ; Forgetting -- The occluded future : Red star and The iron heel as "critical utopias": Red star and the horizons of Russian modernity ; The long revolution of The iron heel ; "Nameless, formless things" ; "Gaseous vertebrate" ; Simplification and the new subject of history -- A map of utopia's "possible worlds" : Zamyatin's We and Le Guin's The dispossessed: Reclaiming We for utopia ; The city and the country ; Happiness and freedom ; The play of possible worlds ; We's legacy : The dispossessed and the limits of the horizon -- Modernity, nostalgia, and the ends of nations in Orwell's Nineteen eighty-four: From utopian modernism to naturalist utopia ; Orwell and Mannheim : Nineteen eighty-four as "conservative utopia" ; The crisis of modern reason ; Modernization against modernity : the culture industry and "secondary orality" ; "If there was hope ..." : Orwell's intellectuals.".
- catalog tableOfContents "Introduction: the reality of imaginary communities -- Genre and the spatial histories of modernity: The institutional being of genre ; Space and modernity ; Estrangement and the temporality of utopia -- Utopia and the birth of nations: Re-authoring, or The origins of institutions ; Utopiques and conceptualized space ; Crime and history ; Utopia and the nation-thing ; Utopia and the work of nations -- Writing the new American (re)public : remembering and forgetting in Looking backward: Remembering ; The contemporary cul-de-sac ; Fragmentation ; Consumerism and class ; "The associations of our acive lifetime" ; Forgetting -- The occluded future : Red star and The iron heel as "critical utopias": Red star and the horizons of Russian modernity ; The long revolution of The iron heel ; "Nameless, formless things" ; "Gaseous vertebrate" ; Simplification and the new subject of history -- A map of utopia's "possible worlds" : Zamyatin's We and Le Guin's The dispossessed: Reclaiming We for utopia ; The city and the country ; Happiness and freedom ; The play of possible worlds ; We's legacy : The dispossessed and the limits of the horizon -- Modernity, nostalgia, and the ends of nations in Orwell's Nineteen eighty-four: From utopian modernism to naturalist utopia ; Orwell and Mannheim : Nineteen eighty-four as "conservative utopia" ; The crisis of modern reason ; Modernization against modernity : the culture industry and "secondary orality" ; "If there was hope ..." : Orwell's intellectuals.".