Matches in Harvard for { ?s ?p Introduction. The fascination of the mirror: selection of a central metaphor ; Convention and originality: the literary use of the mirror ; Identity and change: the verbal fixation of the mirror ; Time and place: the mirror-age in English and Continental literature ; From speculum title to central metaphor: the plan of the book -- Part I. The mirror as title-metaphor. History of the mirror-title in England: Early titles and the situation regarding sources ; Mirror-titles before 1500 ; Mirror-titles in England, 1500-1700 -- A typology of works bearing mirror-titles: The classificatory basis ; Factually informative mirrors ; The encyclopaedic mirror ; The comprehensive mirrors of the compendia ; Mirrors of specific branches of knowledge ; Examplary texts bearing mirror-titles: The mirror of positive models ; Virtues and vices: examplary and admonitory mirrors ; Admonitory and unmasking mirrors: the deterrent image ; The prognostic mirror ; Fantastic mirrors -- Mirror conventions in literature and art. The multiplicity of mirrors: The 'real' mirror ; The metaphorical mirror ; The qualities and deficiencies of the mirror ; The image in the mirror ; The mirror's influence on the beholder ; Users and bearers of the mirror -- Part III. Originality: general conclusions. The concept of originality: New aspects of the mirror ; New combinations of conventions ; New aspects in new combinations ; New functions in individual contexts: Shakespeare's mirrors -- The historical dimension of metaphor, aesthetics and ideas: the age of the mirror: The power of convention: the mirror's potential ; Delight in correspondences: the mirror and baroque sensibility ; 'Mirror' or 'anatomy': the world-picture and the choice of metaphor -- Appendix: a synoptic listing of mirror-titles -- Section A: Mirror-titles to 1500 -- Section B: Mirror-titles in England, 1500-1700 -- Notes -- Indexical bibliography of primary references -- General bibliography.. }
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- catalog description "Introduction. The fascination of the mirror: selection of a central metaphor ; Convention and originality: the literary use of the mirror ; Identity and change: the verbal fixation of the mirror ; Time and place: the mirror-age in English and Continental literature ; From speculum title to central metaphor: the plan of the book -- Part I. The mirror as title-metaphor. History of the mirror-title in England: Early titles and the situation regarding sources ; Mirror-titles before 1500 ; Mirror-titles in England, 1500-1700 -- A typology of works bearing mirror-titles: The classificatory basis ; Factually informative mirrors ; The encyclopaedic mirror ; The comprehensive mirrors of the compendia ; Mirrors of specific branches of knowledge ; Examplary texts bearing mirror-titles: The mirror of positive models ; Virtues and vices: examplary and admonitory mirrors ; Admonitory and unmasking mirrors: the deterrent image ; The prognostic mirror ; Fantastic mirrors -- Mirror conventions in literature and art. The multiplicity of mirrors: The 'real' mirror ; The metaphorical mirror ; The qualities and deficiencies of the mirror ; The image in the mirror ; The mirror's influence on the beholder ; Users and bearers of the mirror -- Part III. Originality: general conclusions. The concept of originality: New aspects of the mirror ; New combinations of conventions ; New aspects in new combinations ; New functions in individual contexts: Shakespeare's mirrors -- The historical dimension of metaphor, aesthetics and ideas: the age of the mirror: The power of convention: the mirror's potential ; Delight in correspondences: the mirror and baroque sensibility ; 'Mirror' or 'anatomy': the world-picture and the choice of metaphor -- Appendix: a synoptic listing of mirror-titles -- Section A: Mirror-titles to 1500 -- Section B: Mirror-titles in England, 1500-1700 -- Notes -- Indexical bibliography of primary references -- General bibliography.".
- catalog tableOfContents "Introduction. The fascination of the mirror: selection of a central metaphor ; Convention and originality: the literary use of the mirror ; Identity and change: the verbal fixation of the mirror ; Time and place: the mirror-age in English and Continental literature ; From speculum title to central metaphor: the plan of the book -- Part I. The mirror as title-metaphor. History of the mirror-title in England: Early titles and the situation regarding sources ; Mirror-titles before 1500 ; Mirror-titles in England, 1500-1700 -- A typology of works bearing mirror-titles: The classificatory basis ; Factually informative mirrors ; The encyclopaedic mirror ; The comprehensive mirrors of the compendia ; Mirrors of specific branches of knowledge ; Examplary texts bearing mirror-titles: The mirror of positive models ; Virtues and vices: examplary and admonitory mirrors ; Admonitory and unmasking mirrors: the deterrent image ; The prognostic mirror ; Fantastic mirrors -- Mirror conventions in literature and art. The multiplicity of mirrors: The 'real' mirror ; The metaphorical mirror ; The qualities and deficiencies of the mirror ; The image in the mirror ; The mirror's influence on the beholder ; Users and bearers of the mirror -- Part III. Originality: general conclusions. The concept of originality: New aspects of the mirror ; New combinations of conventions ; New aspects in new combinations ; New functions in individual contexts: Shakespeare's mirrors -- The historical dimension of metaphor, aesthetics and ideas: the age of the mirror: The power of convention: the mirror's potential ; Delight in correspondences: the mirror and baroque sensibility ; 'Mirror' or 'anatomy': the world-picture and the choice of metaphor -- Appendix: a synoptic listing of mirror-titles -- Section A: Mirror-titles to 1500 -- Section B: Mirror-titles in England, 1500-1700 -- Notes -- Indexical bibliography of primary references -- General bibliography.".