Matches in Harvard for { ?s ?p Part I. How I became a music critic ; Debussy's La Mer reaches Boston -- "And epoch-making rondo": Till Eulenspiegel -- Who can succeed Dr. Muck -- Ein Heldenleben and the Tchaikovsky concerto -- The Sibelius second -- The young Elman plays Tchaikovsky -- Pelleas et Melisande makes history -- Rachmaninoff conducts and plays -- A symphony by Halm, a tone poem by Strauss -- Two new Americans' compositions are heard -- Der Rosenkavalier: two years before it reached the U.S. -- Mme Calve in recital with her husband -- Dr. Muck conducts the Sibelius first -- Harvard Musical Review -- Kreisler plays the Beethoven concerto -- The Boston opera opens with Offenbach -- Mary Garden is seen as Tosca -- A Rameau-Debussy concert -- Boston Premiere of the Sibelius fourth -- Schoenberg's five pieces for orchestra in Boston -- The Russian ballet invades Boston and conquers it -- A romantic program: Berlioz, Liszt, Schumann -- Three Boston Premieres for Sibelius -- Three Boston Premieres for Bloch -- Debussy's Images and Schubert's C major -- Boston Premiere of the Mahler second -- Monteux conducts Griffes and Chausson -- Petrouchka: "the certainty and recklessness of genius" -- Boston hears the London Symphony -- Boston hears orchestration of Verklärt Nacht -- Vaughan Williams' Fantasia on a theme of Tallis -- A composition towering imagination: Bloch's Schelomo -- Roland Hayes impresses Boston symphony audience with his musicianship. }
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- catalog description "Part I. How I became a music critic ; Debussy's La Mer reaches Boston -- "And epoch-making rondo": Till Eulenspiegel -- Who can succeed Dr. Muck -- Ein Heldenleben and the Tchaikovsky concerto -- The Sibelius second -- The young Elman plays Tchaikovsky -- Pelleas et Melisande makes history -- Rachmaninoff conducts and plays -- A symphony by Halm, a tone poem by Strauss -- Two new Americans' compositions are heard -- Der Rosenkavalier: two years before it reached the U.S. -- Mme Calve in recital with her husband -- Dr. Muck conducts the Sibelius first -- Harvard Musical Review -- Kreisler plays the Beethoven concerto -- The Boston opera opens with Offenbach -- Mary Garden is seen as Tosca -- A Rameau-Debussy concert -- Boston Premiere of the Sibelius fourth -- Schoenberg's five pieces for orchestra in Boston -- The Russian ballet invades Boston and conquers it -- A romantic program: Berlioz, Liszt, Schumann -- Three Boston Premieres for Sibelius -- Three Boston Premieres for Bloch -- Debussy's Images and Schubert's C major -- Boston Premiere of the Mahler second -- Monteux conducts Griffes and Chausson -- Petrouchka: "the certainty and recklessness of genius" -- Boston hears the London Symphony -- Boston hears orchestration of Verklärt Nacht -- Vaughan Williams' Fantasia on a theme of Tallis -- A composition towering imagination: Bloch's Schelomo -- Roland Hayes impresses Boston symphony audience with his musicianship".
- catalog tableOfContents "Part I. How I became a music critic ; Debussy's La Mer reaches Boston -- "And epoch-making rondo": Till Eulenspiegel -- Who can succeed Dr. Muck -- Ein Heldenleben and the Tchaikovsky concerto -- The Sibelius second -- The young Elman plays Tchaikovsky -- Pelleas et Melisande makes history -- Rachmaninoff conducts and plays -- A symphony by Halm, a tone poem by Strauss -- Two new Americans' compositions are heard -- Der Rosenkavalier: two years before it reached the U.S. -- Mme Calve in recital with her husband -- Dr. Muck conducts the Sibelius first -- Harvard Musical Review -- Kreisler plays the Beethoven concerto -- The Boston opera opens with Offenbach -- Mary Garden is seen as Tosca -- A Rameau-Debussy concert -- Boston Premiere of the Sibelius fourth -- Schoenberg's five pieces for orchestra in Boston -- The Russian ballet invades Boston and conquers it -- A romantic program: Berlioz, Liszt, Schumann -- Three Boston Premieres for Sibelius -- Three Boston Premieres for Bloch -- Debussy's Images and Schubert's C major -- Boston Premiere of the Mahler second -- Monteux conducts Griffes and Chausson -- Petrouchka: "the certainty and recklessness of genius" -- Boston hears the London Symphony -- Boston hears orchestration of Verklärt Nacht -- Vaughan Williams' Fantasia on a theme of Tallis -- A composition towering imagination: Bloch's Schelomo -- Roland Hayes impresses Boston symphony audience with his musicianship".