Matches in Harvard for { ?s ?p Pt. 1. Early Manifestations. I. First Identifiers. 1. Carl Vinnen, "Quonsque Tandem," from A Protest of German Artists, 1911. 2. Wilhelm Worringer, "The Historical Development of Modern Art," The Struggle for Art: The Answer to the "Protest of German Artists," 1911. 3. Paul Ferdinand Schmidt, "The Expressionists," Der Sturm, 1912. 4. Richart Reiche, "Foreword," International Exhibition of the Sonderbund, Cologne, 1912. 5. Max Deri, "Cubists and Expressionism," Pan, 1912. II. The Brucke. 6. E. L. Kirchner: program of the artist group, Brucke, 1906; "Chronicle of the Brucke," 1913; letter to Erich Heckel and Max Pechstein, March 31, 1910; letters to Gustav Schiefler, June 27, 1911 and March 16, 1913. 7. Karl Schmidt-Rottluff, postcard to Cuno Amiet, January 8, 1909, and letter to Gustav Schiefler, ca. 1913. 8. Erich Heckel letters to Franz Marc, Spring 1912 to Winter 1912/13. 9. Max Pechstein (transcribed by W. Heymann), "What Is Picasso Up To?", Pan, 1912. III. . }
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- catalog description "Pt. 1. Early Manifestations. I. First Identifiers. 1. Carl Vinnen, "Quonsque Tandem," from A Protest of German Artists, 1911. 2. Wilhelm Worringer, "The Historical Development of Modern Art," The Struggle for Art: The Answer to the "Protest of German Artists," 1911. 3. Paul Ferdinand Schmidt, "The Expressionists," Der Sturm, 1912. 4. Richart Reiche, "Foreword," International Exhibition of the Sonderbund, Cologne, 1912. 5. Max Deri, "Cubists and Expressionism," Pan, 1912. II. The Brucke. 6. E. L. Kirchner: program of the artist group, Brucke, 1906; "Chronicle of the Brucke," 1913; letter to Erich Heckel and Max Pechstein, March 31, 1910; letters to Gustav Schiefler, June 27, 1911 and March 16, 1913. 7. Karl Schmidt-Rottluff, postcard to Cuno Amiet, January 8, 1909, and letter to Gustav Schiefler, ca. 1913. 8. Erich Heckel letters to Franz Marc, Spring 1912 to Winter 1912/13. 9. Max Pechstein (transcribed by W. Heymann), "What Is Picasso Up To?", Pan, 1912. III. ".
- catalog tableOfContents "Pt. 1. Early Manifestations. I. First Identifiers. 1. Carl Vinnen, "Quonsque Tandem," from A Protest of German Artists, 1911. 2. Wilhelm Worringer, "The Historical Development of Modern Art," The Struggle for Art: The Answer to the "Protest of German Artists," 1911. 3. Paul Ferdinand Schmidt, "The Expressionists," Der Sturm, 1912. 4. Richart Reiche, "Foreword," International Exhibition of the Sonderbund, Cologne, 1912. 5. Max Deri, "Cubists and Expressionism," Pan, 1912. II. The Brucke. 6. E. L. Kirchner: program of the artist group, Brucke, 1906; "Chronicle of the Brucke," 1913; letter to Erich Heckel and Max Pechstein, March 31, 1910; letters to Gustav Schiefler, June 27, 1911 and March 16, 1913. 7. Karl Schmidt-Rottluff, postcard to Cuno Amiet, January 8, 1909, and letter to Gustav Schiefler, ca. 1913. 8. Erich Heckel letters to Franz Marc, Spring 1912 to Winter 1912/13. 9. Max Pechstein (transcribed by W. Heymann), "What Is Picasso Up To?", Pan, 1912. III. ".