Matches in Harvard for { ?s ?p The tonal image of medieval music -- Musical instruments in church and elsewhere -- The great innovation around 1600 -- Tonal aesthetics : is ugly beautiful -- Monteverdi today -- Work and arrangement : the role of instruments -- Work and performance -- Bach and the musicians of his age -- Performance traditions -- The concerto -- The Gamba sonatas : idiomatic sound or Ad Libitum -- The cantatas : at the center of Bach's work -- The wind instruments in Bach's cantatas -- Bach's "Oboe da Caccia" and its reconstruction -- Bach's use of "Parody" -- The first performance of the St. Matthew Passion by the Concentus Musicus -- The St. Matthew Passion : history and tradition -- Mozart was not an innovator -- Mozart : size of orchestras -- Mozart's use of "Allegro" and "Andante" -- From minuet to scherzo -- Mozart : written and unwritten instructions for interpretation.. }
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- catalog description "The tonal image of medieval music -- Musical instruments in church and elsewhere -- The great innovation around 1600 -- Tonal aesthetics : is ugly beautiful -- Monteverdi today -- Work and arrangement : the role of instruments -- Work and performance -- Bach and the musicians of his age -- Performance traditions -- The concerto -- The Gamba sonatas : idiomatic sound or Ad Libitum -- The cantatas : at the center of Bach's work -- The wind instruments in Bach's cantatas -- Bach's "Oboe da Caccia" and its reconstruction -- Bach's use of "Parody" -- The first performance of the St. Matthew Passion by the Concentus Musicus -- The St. Matthew Passion : history and tradition -- Mozart was not an innovator -- Mozart : size of orchestras -- Mozart's use of "Allegro" and "Andante" -- From minuet to scherzo -- Mozart : written and unwritten instructions for interpretation.".
- catalog tableOfContents "The tonal image of medieval music -- Musical instruments in church and elsewhere -- The great innovation around 1600 -- Tonal aesthetics : is ugly beautiful -- Monteverdi today -- Work and arrangement : the role of instruments -- Work and performance -- Bach and the musicians of his age -- Performance traditions -- The concerto -- The Gamba sonatas : idiomatic sound or Ad Libitum -- The cantatas : at the center of Bach's work -- The wind instruments in Bach's cantatas -- Bach's "Oboe da Caccia" and its reconstruction -- Bach's use of "Parody" -- The first performance of the St. Matthew Passion by the Concentus Musicus -- The St. Matthew Passion : history and tradition -- Mozart was not an innovator -- Mozart : size of orchestras -- Mozart's use of "Allegro" and "Andante" -- From minuet to scherzo -- Mozart : written and unwritten instructions for interpretation.".