Matches in Harvard for { ?s ?p pt. 1. The Christian Vision and Living in Shakespeare's World. 1. Medieval Christendom. Seven Sacraments. The Romance Tradition. 2. Reformation Changes and Lingering Images. Restoration and Reform under Queen Mary Tudor. Elizabeth and Enforced Protestantism. Puritans. Mysteries' End. The Romance Tradition. 3. The Shakespeares of Stratford -- pt. 2. The Tradition of Romance. 4. The Romance Mode: Medieval Origins and Some Reworkings. The Comedy of Errors (c. 1589-94). Two Gentlemen of Verona (c. 1590-94). A Midsummer Night's Dream (c. 1595). The Merchant of Venice (c. 1596-97). 5. Understanding the Romance Mode. As You Like It (1598-1600). Twelfth Night (1600-1602). Anti-Romance: Chaucer Revisited. 6. Lost Men and Women: Suffering and Transcendence. All's Well that Ends Well (c. 1601-5). Pericles (1606-8). Cymbeline (c. 1608-10). The Tempest (c. 1611). 7. The Romance Mode Attained: Accused Wives and Queens. Hero in Much Ado About Nothing (c. 1598-99). Desdemona in Othello (1604-5). Hermione in The Winter's Tale (c. 1609-11). Katherine in Henry VIII (1613).. }
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- catalog description "pt. 1. The Christian Vision and Living in Shakespeare's World. 1. Medieval Christendom. Seven Sacraments. The Romance Tradition. 2. Reformation Changes and Lingering Images. Restoration and Reform under Queen Mary Tudor. Elizabeth and Enforced Protestantism. Puritans. Mysteries' End. The Romance Tradition. 3. The Shakespeares of Stratford -- pt. 2. The Tradition of Romance. 4. The Romance Mode: Medieval Origins and Some Reworkings. The Comedy of Errors (c. 1589-94). Two Gentlemen of Verona (c. 1590-94). A Midsummer Night's Dream (c. 1595). The Merchant of Venice (c. 1596-97). 5. Understanding the Romance Mode. As You Like It (1598-1600). Twelfth Night (1600-1602). Anti-Romance: Chaucer Revisited. 6. Lost Men and Women: Suffering and Transcendence. All's Well that Ends Well (c. 1601-5). Pericles (1606-8). Cymbeline (c. 1608-10). The Tempest (c. 1611). 7. The Romance Mode Attained: Accused Wives and Queens. Hero in Much Ado About Nothing (c. 1598-99). Desdemona in Othello (1604-5). Hermione in The Winter's Tale (c. 1609-11). Katherine in Henry VIII (1613).".
- catalog tableOfContents "pt. 1. The Christian Vision and Living in Shakespeare's World. 1. Medieval Christendom. Seven Sacraments. The Romance Tradition. 2. Reformation Changes and Lingering Images. Restoration and Reform under Queen Mary Tudor. Elizabeth and Enforced Protestantism. Puritans. Mysteries' End. The Romance Tradition. 3. The Shakespeares of Stratford -- pt. 2. The Tradition of Romance. 4. The Romance Mode: Medieval Origins and Some Reworkings. The Comedy of Errors (c. 1589-94). Two Gentlemen of Verona (c. 1590-94). A Midsummer Night's Dream (c. 1595). The Merchant of Venice (c. 1596-97). 5. Understanding the Romance Mode. As You Like It (1598-1600). Twelfth Night (1600-1602). Anti-Romance: Chaucer Revisited. 6. Lost Men and Women: Suffering and Transcendence. All's Well that Ends Well (c. 1601-5). Pericles (1606-8). Cymbeline (c. 1608-10). The Tempest (c. 1611). 7. The Romance Mode Attained: Accused Wives and Queens. Hero in Much Ado About Nothing (c. 1598-99). Desdemona in Othello (1604-5). Hermione in The Winter's Tale (c. 1609-11). Katherine in Henry VIII (1613).".