Matches in Harvard for { ?s ?p pt. 1. The revelation of the man. The aim and method explained -- Shakespeare's imagery compared with that of Marlowe and Bacon -- Imagery of Shakespeare and other dramatists compared -- The subject-matter of Shakespeare's images -- Shakespeare's senses -- Shakespeare's tastes and interests : outdoor life -- Shakespeare's tastes and interests : indoor and other interests -- Evidence in the images of Shakespeare's thought -- Association of ideas -- Shakespeare the man -- pt. 2. The function of the imagery as background and undertone in Shakespeare's art. Leading motives in the histories -- Leading motives in the comedies -- Leading motives in the romances -- Leading motives in the tragedies.. }
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- catalog description "pt. 1. The revelation of the man. The aim and method explained -- Shakespeare's imagery compared with that of Marlowe and Bacon -- Imagery of Shakespeare and other dramatists compared -- The subject-matter of Shakespeare's images -- Shakespeare's senses -- Shakespeare's tastes and interests : outdoor life -- Shakespeare's tastes and interests : indoor and other interests -- Evidence in the images of Shakespeare's thought -- Association of ideas -- Shakespeare the man -- pt. 2. The function of the imagery as background and undertone in Shakespeare's art. Leading motives in the histories -- Leading motives in the comedies -- Leading motives in the romances -- Leading motives in the tragedies.".
- catalog tableOfContents "pt. 1. The revelation of the man. The aim and method explained -- Shakespeare's imagery compared with that of Marlowe and Bacon -- Imagery of Shakespeare and other dramatists compared -- The subject-matter of Shakespeare's images -- Shakespeare's senses -- Shakespeare's tastes and interests : outdoor life -- Shakespeare's tastes and interests : indoor and other interests -- Evidence in the images of Shakespeare's thought -- Association of ideas -- Shakespeare the man -- pt. 2. The function of the imagery as background and undertone in Shakespeare's art. Leading motives in the histories -- Leading motives in the comedies -- Leading motives in the romances -- Leading motives in the tragedies.".