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- catalog contributor b8151333.
- catalog contributor b8151334.
- catalog contributor b8151335.
- catalog created "1964.".
- catalog date "1964".
- catalog date "1964.".
- catalog dateCopyrighted "1964.".
- catalog description "I. Some basic elements of rhythm : I. Pulse and tempo -- II. One-pulse and two-pulse relationships -- III. Rhythmic studies -- IV. Ear training -- V. Rhythmic studies -- VI. Rhythmic studies in two voices -- VII. Rhythmic canons -- VIII. Ear training".
- catalog description "II. Basic pitch relationships; stepwise melodies in the major scale : III. Preparatory practice for melodies that lie below the tonic -- IV. Stepwise studies in the major scale, moving above and below the tonic -- V. Studies in C# and Cb major -- VI. Ear training -- VII. Melodic studies using one and two pulse notes -- VIII. Melodies over rhythmic ostinatos -- IX. Two-voice melodic studies -- X. Ear training -- XI. Drills on major and minor seconds".
- catalog description "III. Major and minor thirds in the major scale; plainsong : I. Melodic studies using major and minor thirds -- II. Melodies combining stepwise movement and leaps of major and minor thirds -- III. Drills on major and minor seconds, major and minor thirds -- IV. Ear training -- V. Singing major and minor thirds, placing them in key relationships -- VI. Melodies from Gregorian chants, using major and minor seconds and major and minor thirds".
- catalog description "IV. Meter; elementary conducting; rhythmic ratios of three to one and four to one; melodies beginning on tones other than the tonic; the alto clef : I. Finding the meter of a composition -- II. Practice in conducting basic meters -- III. Drills using three-to-one and four-to-one ratios -- IV. Rhythmic patterns in various meters -- V. Ear training -- VI. Two-part rhythmic drills -- VII. Writing and performing original canons -- VIII. Melodies that begin on a tone other than the tonic -- IX. Ear training -- X. The movable "C" clef -- XI. Dictation using the alto clef".
- catalog description "IX. Large melodic leaps; triplets; compound meter; the tenor clef; excerpts from music literature : I. Large melodic leaps -- II. Singing melodic outlines -- III. Melodies containing large leaps -- IV. Ear training -- V. Concentrated drills on large leaps -- VI. The triplet -- VII. Ear training -- VIII. Drills in compound meter -- IX. Rhythmic studies in compound meter -- X. Ear training -- XI. Two-part studies in compound meter -- XII. Patterns in six-four and nine-four meters -- XIII. The tenor clef -- XIV. Ear training -- XV. Excerpts from music literature".
- catalog description "V. Simple subdivisions of the beat; melodies beginning on upbeats; perfect fourths and fifths in the major scale; the major triad; chorale melodies : I. Simple subdivisions of the pulse -- II. Drills on basic subdivision patterns -- III. Rhythmic phrases emphasizing subdivisions of the beat -- IV. Conducting music that begins on an upbeat -- V. Rhythmic patterns based on upbeats -- VI. Melodies using perfect fourths and fifths -- VII. Drills on perfect fourths and fifths -- VIII. Ear training -- IX. Singing perfect fourths and placing them in key relationships -- X. Singing perfect fifths and placing them in key relationships -- XI. Intervals within the major triad -- XII. Melodic patterns based on the major triad -- XIII. Ear training -- XIV. Chorale melodies".
- catalog description "VI. Melodies based on primary harmonies; the dominant seventh; rhythmic canons; rests; excerpts from music literature : I. Drills on the primary chords in the major scale -- II. Melodies based on primary trade -- III. Intervals within the dominant seventh -- IV. Melodies built on the primary triads and the dominant seventh -- V. Ear training -- VI. Review of perfect fourths and perfect fifths -- VII. Two-part rhythmic studies -- VIII. Original two-part rhythmic canons -- IX. Improvised canons -- X. Rests -- XI. Ear training -- XII. Two-voiced rhythmic patterns -- XIII. Excerpts from music literature".
- catalog description "VII. Dotted notes and tied notes; the minor triad; the diminished triad; leaps in all diatonic triads; further drills on perfect fourths and perfect fifths; excerpts from music literature : I. Rhythmic patterns containing dotted notes and tied notes -- II. Ear training -- III. Drills on the minor triad in a major key -- IV. Minor triads in the major scale -- V. Melodies based on the tonic, supertonic, subdominant, and dominant chords -- VI. The diminished triad -- VII. Melodies based on all diatonic triads and the dominant seventh -- VIII. Ear training -- IX. Drills on perfect fourths and perfect fifths -- X. Excerpts from music literature".
- catalog description "VIII. Forms of the minor scale; further subdivisions of the beat; excerpts from music literature : I. The minor scale -- II. The three forms of the minor scale -- III. Drills on the primary chords in the harmonic minor scale -- IV. Melodic studies in the minor scale -- V. Ear training -- VI. Further subdivisions of the beat -- VII. Ear training -- VIII. Two-part rhythmic drills -- IX Excerpts from music literature".
- catalog description "X. Chromatic tones; melodies in mixed forms of the minor scales; syncopation; excerpts from music literature : I. Large melodic leaps -- II. Singing melodic outlines -- III. Melodies containing large leaps -- IV. Ear training -- V. Concentrated drills on large leaps -- VI. The triplet -- VII. Ear training -- VIII. Drills in compound meter -- IX. Rhythmic studies in compound meter -- X. Ear training -- XI. Two-part studies in compound meter -- XII. Patterns in six-four and nine-four meters -- XIII. The tenor clef -- XIV. Ear training -- XV. Excerpts from music literature".
- catalog description "X. Chromatic tones; melodies in mixed forms of the minor scales; syncopation; excerpts from music literature : I. The chromatic neighboring tone -- II. The chromatic passing tone -- III. Melodies using chromaticism -- IV. Ear training -- V. Melodic studies using combinations of the various forms of the minor scale -- VI. Ear training -- VII. Syncopation using tied notes -- VIII. Ear training -- IX. Two-part rhythmic studies -- X. Excerpts from music literature".
- catalog description "XI. Accents and cross-accents; leaps in triads in minor keys; tritons; chromaticism; excerpts from music literature : I. Accents and cross-accents -- II. Ear training -- III. Leaps within triads in the minor scales -- IV. Melodic studies containing tritons -- V. Ear training -- VI. Chromatic studies -- VII. Excerpts from music literature".
- catalog description "XII. Changing meters; modal music; excerpts from music literature : I. Changing meters and irregular meters -- II. Ear training -- III. Modes -- IV. Modal melodies -- V. Ear training -- VI. Excerpts from music literature.".
- catalog extent "xvi, 232 p.".
- catalog hasFormat "Fundamentals of sight singing and ear training.".
- catalog isFormatOf "Fundamentals of sight singing and ear training.".
- catalog issued "1964".
- catalog issued "1964.".
- catalog language "eng".
- catalog publisher "New York, Dodd, Mead,".
- catalog relation "Fundamentals of sight singing and ear training.".
- catalog subject "784.94".
- catalog subject "Ear training.".
- catalog subject "MT870 .F5".
- catalog subject "Sight-singing.".
- catalog tableOfContents "I. Some basic elements of rhythm : I. Pulse and tempo -- II. One-pulse and two-pulse relationships -- III. Rhythmic studies -- IV. Ear training -- V. Rhythmic studies -- VI. Rhythmic studies in two voices -- VII. Rhythmic canons -- VIII. Ear training".
- catalog tableOfContents "II. Basic pitch relationships; stepwise melodies in the major scale : III. Preparatory practice for melodies that lie below the tonic -- IV. Stepwise studies in the major scale, moving above and below the tonic -- V. Studies in C# and Cb major -- VI. Ear training -- VII. Melodic studies using one and two pulse notes -- VIII. Melodies over rhythmic ostinatos -- IX. Two-voice melodic studies -- X. Ear training -- XI. Drills on major and minor seconds".
- catalog tableOfContents "III. Major and minor thirds in the major scale; plainsong : I. Melodic studies using major and minor thirds -- II. Melodies combining stepwise movement and leaps of major and minor thirds -- III. Drills on major and minor seconds, major and minor thirds -- IV. Ear training -- V. Singing major and minor thirds, placing them in key relationships -- VI. Melodies from Gregorian chants, using major and minor seconds and major and minor thirds".
- catalog tableOfContents "IV. Meter; elementary conducting; rhythmic ratios of three to one and four to one; melodies beginning on tones other than the tonic; the alto clef : I. Finding the meter of a composition -- II. Practice in conducting basic meters -- III. Drills using three-to-one and four-to-one ratios -- IV. Rhythmic patterns in various meters -- V. Ear training -- VI. Two-part rhythmic drills -- VII. Writing and performing original canons -- VIII. Melodies that begin on a tone other than the tonic -- IX. Ear training -- X. The movable "C" clef -- XI. Dictation using the alto clef".
- catalog tableOfContents "IX. Large melodic leaps; triplets; compound meter; the tenor clef; excerpts from music literature : I. Large melodic leaps -- II. Singing melodic outlines -- III. Melodies containing large leaps -- IV. Ear training -- V. Concentrated drills on large leaps -- VI. The triplet -- VII. Ear training -- VIII. Drills in compound meter -- IX. Rhythmic studies in compound meter -- X. Ear training -- XI. Two-part studies in compound meter -- XII. Patterns in six-four and nine-four meters -- XIII. The tenor clef -- XIV. Ear training -- XV. Excerpts from music literature".
- catalog tableOfContents "V. Simple subdivisions of the beat; melodies beginning on upbeats; perfect fourths and fifths in the major scale; the major triad; chorale melodies : I. Simple subdivisions of the pulse -- II. Drills on basic subdivision patterns -- III. Rhythmic phrases emphasizing subdivisions of the beat -- IV. Conducting music that begins on an upbeat -- V. Rhythmic patterns based on upbeats -- VI. Melodies using perfect fourths and fifths -- VII. Drills on perfect fourths and fifths -- VIII. Ear training -- IX. Singing perfect fourths and placing them in key relationships -- X. Singing perfect fifths and placing them in key relationships -- XI. Intervals within the major triad -- XII. Melodic patterns based on the major triad -- XIII. Ear training -- XIV. Chorale melodies".
- catalog tableOfContents "VI. Melodies based on primary harmonies; the dominant seventh; rhythmic canons; rests; excerpts from music literature : I. Drills on the primary chords in the major scale -- II. Melodies based on primary trade -- III. Intervals within the dominant seventh -- IV. Melodies built on the primary triads and the dominant seventh -- V. Ear training -- VI. Review of perfect fourths and perfect fifths -- VII. Two-part rhythmic studies -- VIII. Original two-part rhythmic canons -- IX. Improvised canons -- X. Rests -- XI. Ear training -- XII. Two-voiced rhythmic patterns -- XIII. Excerpts from music literature".
- catalog tableOfContents "VII. Dotted notes and tied notes; the minor triad; the diminished triad; leaps in all diatonic triads; further drills on perfect fourths and perfect fifths; excerpts from music literature : I. Rhythmic patterns containing dotted notes and tied notes -- II. Ear training -- III. Drills on the minor triad in a major key -- IV. Minor triads in the major scale -- V. Melodies based on the tonic, supertonic, subdominant, and dominant chords -- VI. The diminished triad -- VII. Melodies based on all diatonic triads and the dominant seventh -- VIII. Ear training -- IX. Drills on perfect fourths and perfect fifths -- X. Excerpts from music literature".
- catalog tableOfContents "VIII. Forms of the minor scale; further subdivisions of the beat; excerpts from music literature : I. The minor scale -- II. The three forms of the minor scale -- III. Drills on the primary chords in the harmonic minor scale -- IV. Melodic studies in the minor scale -- V. Ear training -- VI. Further subdivisions of the beat -- VII. Ear training -- VIII. Two-part rhythmic drills -- IX Excerpts from music literature".
- catalog tableOfContents "X. Chromatic tones; melodies in mixed forms of the minor scales; syncopation; excerpts from music literature : I. Large melodic leaps -- II. Singing melodic outlines -- III. Melodies containing large leaps -- IV. Ear training -- V. Concentrated drills on large leaps -- VI. The triplet -- VII. Ear training -- VIII. Drills in compound meter -- IX. Rhythmic studies in compound meter -- X. Ear training -- XI. Two-part studies in compound meter -- XII. Patterns in six-four and nine-four meters -- XIII. The tenor clef -- XIV. Ear training -- XV. Excerpts from music literature".
- catalog tableOfContents "X. Chromatic tones; melodies in mixed forms of the minor scales; syncopation; excerpts from music literature : I. The chromatic neighboring tone -- II. The chromatic passing tone -- III. Melodies using chromaticism -- IV. Ear training -- V. Melodic studies using combinations of the various forms of the minor scale -- VI. Ear training -- VII. Syncopation using tied notes -- VIII. Ear training -- IX. Two-part rhythmic studies -- X. Excerpts from music literature".
- catalog tableOfContents "XI. Accents and cross-accents; leaps in triads in minor keys; tritons; chromaticism; excerpts from music literature : I. Accents and cross-accents -- II. Ear training -- III. Leaps within triads in the minor scales -- IV. Melodic studies containing tritons -- V. Ear training -- VI. Chromatic studies -- VII. Excerpts from music literature".
- catalog tableOfContents "XII. Changing meters; modal music; excerpts from music literature : I. Changing meters and irregular meters -- II. Ear training -- III. Modes -- IV. Modal melodies -- V. Ear training -- VI. Excerpts from music literature.".
- catalog title "Fundamentals of sight singing and ear training [by] Arnold Fish [and] Norman Lloyd.".
- catalog type "text".