Matches in Library of Congress for { ?s ?p Machine generated contents note: I. Introduction -- 2. Mannerism and Vase-painting -- Mannerism in Western Art -- Mannerism in Athenian vase-painting -- Other archaizing vases -- Archaism in sculpture -- Definitions of Mannerism -- Causes of Mannerism -- 3. The Earlier Mannerists -- The Pig Painter -- The Leningrad Painter -- The Agrigento Painter -- The Oinanthe Painter -- The Painter of Louvre G 231 -- The Painter of London 95 -- The Perseus Painter -- 4. The Later Mannerists -- The Nausicaa Painter -- The Painter of Tarquinia 707 -- The Orestes Painter -- The Hephaistos Painter -- The Duomo Painter -- The Painter of Oxford 529 -- The Painter of London E 488 -- The lo Painter -- 5. The Latest Mannerists -- The Painter of Athens i I83 -- The Academy Painter -- 6. Shapes -- Pelikai -- Neck- and belly-amphorae -- Column-kraters -- Bell-kraters -- Calyx-kraters -- Oinochoai -- Stamnoi -- 7. Ornaments -- Column-kraters -- Bell-kraters -- Belly-amphorae and pelikai -- Neck-amphorae -- Hydriai -- 8. Iconography -- Gods -- Heroes -- Daily life -- 9. Chronology -- Sites providing termini ante or post quos -- Kalos- and kale-names -- Stylistic comparisons -- Subject-matter -- Relative dates -- Io. Summary -- The Mannerists in fifth-century Athens -- Market -- Pictures -- Mannerism -- Catalogue -- Index -- Plates 1-64.. }
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- 00410699 description "Machine generated contents note: I. Introduction -- 2. Mannerism and Vase-painting -- Mannerism in Western Art -- Mannerism in Athenian vase-painting -- Other archaizing vases -- Archaism in sculpture -- Definitions of Mannerism -- Causes of Mannerism -- 3. The Earlier Mannerists -- The Pig Painter -- The Leningrad Painter -- The Agrigento Painter -- The Oinanthe Painter -- The Painter of Louvre G 231 -- The Painter of London 95 -- The Perseus Painter -- 4. The Later Mannerists -- The Nausicaa Painter -- The Painter of Tarquinia 707 -- The Orestes Painter -- The Hephaistos Painter -- The Duomo Painter -- The Painter of Oxford 529 -- The Painter of London E 488 -- The lo Painter -- 5. The Latest Mannerists -- The Painter of Athens i I83 -- The Academy Painter -- 6. Shapes -- Pelikai -- Neck- and belly-amphorae -- Column-kraters -- Bell-kraters -- Calyx-kraters -- Oinochoai -- Stamnoi -- 7. Ornaments -- Column-kraters -- Bell-kraters -- Belly-amphorae and pelikai -- Neck-amphorae -- Hydriai -- 8. Iconography -- Gods -- Heroes -- Daily life -- 9. Chronology -- Sites providing termini ante or post quos -- Kalos- and kale-names -- Stylistic comparisons -- Subject-matter -- Relative dates -- Io. Summary -- The Mannerists in fifth-century Athens -- Market -- Pictures -- Mannerism -- Catalogue -- Index -- Plates 1-64.".
- 00410699 tableOfContents "Machine generated contents note: I. Introduction -- 2. Mannerism and Vase-painting -- Mannerism in Western Art -- Mannerism in Athenian vase-painting -- Other archaizing vases -- Archaism in sculpture -- Definitions of Mannerism -- Causes of Mannerism -- 3. The Earlier Mannerists -- The Pig Painter -- The Leningrad Painter -- The Agrigento Painter -- The Oinanthe Painter -- The Painter of Louvre G 231 -- The Painter of London 95 -- The Perseus Painter -- 4. The Later Mannerists -- The Nausicaa Painter -- The Painter of Tarquinia 707 -- The Orestes Painter -- The Hephaistos Painter -- The Duomo Painter -- The Painter of Oxford 529 -- The Painter of London E 488 -- The lo Painter -- 5. The Latest Mannerists -- The Painter of Athens i I83 -- The Academy Painter -- 6. Shapes -- Pelikai -- Neck- and belly-amphorae -- Column-kraters -- Bell-kraters -- Calyx-kraters -- Oinochoai -- Stamnoi -- 7. Ornaments -- Column-kraters -- Bell-kraters -- Belly-amphorae and pelikai -- Neck-amphorae -- Hydriai -- 8. Iconography -- Gods -- Heroes -- Daily life -- 9. Chronology -- Sites providing termini ante or post quos -- Kalos- and kale-names -- Stylistic comparisons -- Subject-matter -- Relative dates -- Io. Summary -- The Mannerists in fifth-century Athens -- Market -- Pictures -- Mannerism -- Catalogue -- Index -- Plates 1-64.".