Matches in DBpedia 2014 for { ?s ?p "Do-Re-Mi" is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. Within the story, it is used by Maria to teach the notes of the major musical scale to the Von Trapp children who learn to sing for the first time, even though their father has disallowed frivolity after their mother's death. Each syllable of the musical solfège system appears in the song's lyrics, sung on the pitch it names. Rodgers was helped in its creation by long-time arranger Trude Rittmann who devised the extended vocal sequence in the song.In the stage version, Maria sings this song in the living room of Captain von Trapp's house, shortly after she introduces herself to the children. However, when Ernest Lehman adapted the stage script into a screenplay for the 1965 film adaptation, he moved the song to later on in the story. In the film, Maria and the children sing this song over a montage as they wander and frolic over Salzburg. Later on, in both the film and stage versions, a more intricate reprise of the song is sung in the style of a Bach cantata, showing the audience how versatile they were at multi-part choral singing.. }
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- Do-Re-Mi abstract ""Do-Re-Mi" is a show tune from the 1959 Rodgers and Hammerstein musical The Sound of Music. Within the story, it is used by Maria to teach the notes of the major musical scale to the Von Trapp children who learn to sing for the first time, even though their father has disallowed frivolity after their mother's death. Each syllable of the musical solfège system appears in the song's lyrics, sung on the pitch it names. Rodgers was helped in its creation by long-time arranger Trude Rittmann who devised the extended vocal sequence in the song.In the stage version, Maria sings this song in the living room of Captain von Trapp's house, shortly after she introduces herself to the children. However, when Ernest Lehman adapted the stage script into a screenplay for the 1965 film adaptation, he moved the song to later on in the story. In the film, Maria and the children sing this song over a montage as they wander and frolic over Salzburg. Later on, in both the film and stage versions, a more intricate reprise of the song is sung in the style of a Bach cantata, showing the audience how versatile they were at multi-part choral singing.".