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- Antara_(music) abstract "Antarā is the equivalent of a verse in Hindustani classical music.In Hindustani classical music, the fixed (dhrupad/bandish) section is in four parts of which only the first two are performed regularly: Sthāyī (pallavi in Carnatic music) - the first line of the Sthāyī serves as a cadence (music), while the section itself serves as a base for the singer returns to the Sthāyī time and again after each part; Antarā (Anupallavi in Carnatic music) - the intermediate part sung in a high register focusing on the tar shadja, with a good deal of text manipulation and repeated forays into sthāyī; the third section Sanchari (charanam in Carnatic music) - created by the division of the Abhoga and it remains a free-moving section; the fourth and concluding section Abhoga (Pallavi in Carnatic music because this section is often replaced by the Sthāyī) includes notes from all three registers, and in present-day performances, may well be sung with the Sanchari, if these two sections are included.".
- Antara_(music) wikiPageExternalLink h-v-dr.htm.
- Antara_(music) wikiPageID "1167794".
- Antara_(music) wikiPageRevisionID "586622631".
- Antara_(music) hasPhotoCollection Antara_(music).
- Antara_(music) subject Category:Formal_sections_in_music_analysis.
- Antara_(music) subject Category:Hindustani_music_terminology.
- Antara_(music) type Abstraction100002137.
- Antara_(music) type AuditoryCommunication107109019.
- Antara_(music) type Communication100033020.
- Antara_(music) type FormalSectionsInMusicAnalysis.
- Antara_(music) type Music107020895.
- Antara_(music) type Section106392001.
- Antara_(music) type Writing106362953.
- Antara_(music) type WrittenCommunication106349220.
- Antara_(music) comment "Antarā is the equivalent of a verse in Hindustani classical music.In Hindustani classical music, the fixed (dhrupad/bandish) section is in four parts of which only the first two are performed regularly: Sthāyī (pallavi in Carnatic music) - the first line of the Sthāyī serves as a cadence (music), while the section itself serves as a base for the singer returns to the Sthāyī time and again after each part; Antarā (Anupallavi in Carnatic music) - the intermediate part sung in a high register focusing on the tar shadja, with a good deal of text manipulation and repeated forays into sthāyī; the third section Sanchari (charanam in Carnatic music) - created by the division of the Abhoga and it remains a free-moving section; the fourth and concluding section Abhoga (Pallavi in Carnatic music because this section is often replaced by the Sthāyī) includes notes from all three registers, and in present-day performances, may well be sung with the Sanchari, if these two sections are included.".
- Antara_(music) label "Antara (music)".
- Antara_(music) sameAs m.04czmm.
- Antara_(music) sameAs Q4770970.
- Antara_(music) sameAs Q4770970.
- Antara_(music) sameAs Antara_(music).
- Antara_(music) wasDerivedFrom Antara_(music)?oldid=586622631.
- Antara_(music) isPrimaryTopicOf Antara_(music).