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- Piano_Sonata_No._22_(Beethoven) abstract "Ludwig van Beethoven's Piano Sonata No. 22 in F major, Op. 54, was written in 1804. It is contemporary to the first sketches of the Symphony No. 5 in C Minor. It is one of Beethoven's lesser known sonatas, overshadowed by its widely known neighbours, the Waldstein and the Appassionata.[citation needed] In tempo d'un menuetto: A Minuet in 3/4 time, with a modulating Trio. Anton Kuerti refers to this piece as a parody of uncreative composers. The melody commences, but grinds to a halt, and after doing this again, it decides to suddenly end the phrase in an attempted friendly way, which is anything but friendly, and nothing but awkward. This piece gradually redeems itself (but not much) when it garners variations for its main theme. This first movement is in ABABA form where A and B are strongly contrasted themes. Theme A is of minuet dance type that one might find in Haydn. In contrast, theme B is a succession of triplets played by both hands staccato or legato; the triplets are in octaves or 6ths and with a dialogue between the left and right hands and with many sforzandi to interrupt the meter. The two contrasted themes A and B are partly reconciled in the last few bars of the movement with a repeated diminished 7th chord which begins in triplets (B rhythm) and changes to duplets (A rhythm). Allegretto - Più allegro: In 2/4 time. "If the first movement was constipated, then the second movement suffers from the opposite ailment." (Anton Kuerti) This is shown in the piece, as the main melody has a non-stop continuous, sixteenth-note pattern that does not stop for even a second in this piece. The piece gradually gets more and more agitated in the coda, keeping a forward motion, unwilling to close.The Sonata is remarkable in its concision, a precursor in some ways to the Sonata in E Major, Opus 109. The two movements present opposite faces on many levels:[citation needed] In tempo: the first movement is relaxed, the second, agitated. In meter: the first movement is in triple time, the second, double. In rhetoric: the first movement is improvisatory and wandering in its unfolding, the second is a relentless moto perpetuo. In thematic material: the first movement develops two distinct themes, the second develops one thematic idea. In harmonic development: the first movement follows a classic Tonic-Dominant schema, the second includes abrupt harmonic shifts.Donald Tovey writes:[T]he whole work is profoundly humorous, with a humour that lies with the composer rather than with the childlike character portrayed by the music. No biographical details are known as to whether Beethoven thought of any person or household divinity in connection with this sonata; but its material is childlike, or even dog-like, and those who best understand children and dogs have the best chance of enjoying an adequate reading of this music; laughing with, but not at its animal spirits; following in strenuous earnest its indefatigable pursuit of its game whether that be its own tail or something more remote and elusive; and worthily requiting the wistful affection that is shown so insistently in the first movement and even in one long backward glance during the perpetuum mobile of the finale.".
- Piano_Sonata_No._22_(Beethoven) wikiPageExternalLink 01_22fmajop54.mp3.
- Piano_Sonata_No._22_(Beethoven) wikiPageExternalLink musopen.com.
- Piano_Sonata_No._22_(Beethoven) wikiPageID "4952601".
- Piano_Sonata_No._22_(Beethoven) wikiPageRevisionID "594651646".
- Piano_Sonata_No._22_(Beethoven) cname "Piano Sonata No. 22".
- Piano_Sonata_No._22_(Beethoven) hasPhotoCollection Piano_Sonata_No._22_(Beethoven).
- Piano_Sonata_No._22_(Beethoven) id "Piano Sonata No.22, Op.54".
- Piano_Sonata_No._22_(Beethoven) sign Donald_Tovey.
- Piano_Sonata_No._22_(Beethoven) source "Notes on the Associated Board of the Royal Schools of Music edition".
- Piano_Sonata_No._22_(Beethoven) text "[T]he whole work is profoundly humorous, with a humour that lies with the composer rather than with the childlike character portrayed by the music. No biographical details are known as to whether Beethoven thought of any person or household divinity in connection with this sonata; but its material is childlike, or even dog-like, and those who best understand children and dogs have the best chance of enjoying an adequate reading of this music; laughing with, but not at its animal spirits; following in strenuous earnest its indefatigable pursuit of its game whether that be its own tail or something more remote and elusive; and worthily requiting the wistful affection that is shown so insistently in the first movement and even in one long backward glance during the perpetuum mobile of the finale.".
- Piano_Sonata_No._22_(Beethoven) subject Category:1804_compositions.
- Piano_Sonata_No._22_(Beethoven) subject Category:Compositions_in_F_major.
- Piano_Sonata_No._22_(Beethoven) subject Category:Piano_sonatas_by_Ludwig_van_Beethoven.
- Piano_Sonata_No._22_(Beethoven) comment "Ludwig van Beethoven's Piano Sonata No. 22 in F major, Op. 54, was written in 1804. It is contemporary to the first sketches of the Symphony No. 5 in C Minor. It is one of Beethoven's lesser known sonatas, overshadowed by its widely known neighbours, the Waldstein and the Appassionata.[citation needed] In tempo d'un menuetto: A Minuet in 3/4 time, with a modulating Trio. Anton Kuerti refers to this piece as a parody of uncreative composers.".
- Piano_Sonata_No._22_(Beethoven) label "Klaviersonate Nr. 22 (Beethoven)".
- Piano_Sonata_No._22_(Beethoven) label "Piano Sonata No. 22 (Beethoven)".
- Piano_Sonata_No._22_(Beethoven) label "Pianosonate nr. 22 (Beethoven)".
- Piano_Sonata_No._22_(Beethoven) label "Sonata fortepianowa nr 22 Beethovena".
- Piano_Sonata_No._22_(Beethoven) label "Sonata per pianoforte n. 22 (Beethoven)".
- Piano_Sonata_No._22_(Beethoven) label "Sonate pour piano nº 22 de Beethoven".
- Piano_Sonata_No._22_(Beethoven) label "Соната для фортепиано № 22 (Бетховен)".
- Piano_Sonata_No._22_(Beethoven) label "ピアノソナタ第22番 (ベートーヴェン)".
- Piano_Sonata_No._22_(Beethoven) sameAs Klaviersonate_Nr._22_(Beethoven).
- Piano_Sonata_No._22_(Beethoven) sameAs Pianoarentzako_22._sonata_(Beethoven).
- Piano_Sonata_No._22_(Beethoven) sameAs Sonate_pour_piano_nº_22_de_Beethoven.
- Piano_Sonata_No._22_(Beethoven) sameAs Sonata_per_pianoforte_n._22_(Beethoven).
- Piano_Sonata_No._22_(Beethoven) sameAs ピアノソナタ第22番_(ベートーヴェン).
- Piano_Sonata_No._22_(Beethoven) sameAs Pianosonate_nr._22_(Beethoven).
- Piano_Sonata_No._22_(Beethoven) sameAs Sonata_fortepianowa_nr_22_Beethovena.
- Piano_Sonata_No._22_(Beethoven) sameAs m.0cwtp4.
- Piano_Sonata_No._22_(Beethoven) sameAs Q146561.
- Piano_Sonata_No._22_(Beethoven) sameAs Q146561.
- Piano_Sonata_No._22_(Beethoven) wasDerivedFrom Piano_Sonata_No._22_(Beethoven)?oldid=594651646.
- Piano_Sonata_No._22_(Beethoven) isPrimaryTopicOf Piano_Sonata_No._22_(Beethoven).