Matches in Harvard for { ?s ?p The art of art criticism.--The art critic as iconoclast: Professor Van Dyke on Rembrandt, Professor Van Dyke on Vermeer.--The thirty-ninth Vermeer.--Leonardo's legacy of beauty.--Raphael and the art of portrait painting.--Religious painting.--The cult of the drawing.--Venice as a painting-ground.--Silhouettes of old masters: Van Dyck's "Dædalus and Icarus", Velasquez's "Dying Seneca", Two portraits by Reynolds and Gainsborough.--Raeburn.--The eighteenth century: Hubert Robert, A portrait by David Prud'hon.--Gavarni.--Daumier.--Courbet.--Puvis de Chavannes.--Degas.--Monet.--Seven Renoirs.--Odilon Redon.--Cézanne.--Gauguin.--Van Gogh.--Early American portraiture.--The American wing at the Metropolitan museum.--The American business building.--Ameican industrial art.--The centenary of George Inness.--J. Alden Weir.--Robert Blum.--"291."--Fortuny.--Zorn.. }
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- catalog description "The art of art criticism.--The art critic as iconoclast: Professor Van Dyke on Rembrandt, Professor Van Dyke on Vermeer.--The thirty-ninth Vermeer.--Leonardo's legacy of beauty.--Raphael and the art of portrait painting.--Religious painting.--The cult of the drawing.--Venice as a painting-ground.--Silhouettes of old masters: Van Dyck's "Dædalus and Icarus", Velasquez's "Dying Seneca", Two portraits by Reynolds and Gainsborough.--Raeburn.--The eighteenth century: Hubert Robert, A portrait by David Prud'hon.--Gavarni.--Daumier.--Courbet.--Puvis de Chavannes.--Degas.--Monet.--Seven Renoirs.--Odilon Redon.--Cézanne.--Gauguin.--Van Gogh.--Early American portraiture.--The American wing at the Metropolitan museum.--The American business building.--Ameican industrial art.--The centenary of George Inness.--J. Alden Weir.--Robert Blum.--"291."--Fortuny.--Zorn.".
- catalog tableOfContents "The art of art criticism.--The art critic as iconoclast: Professor Van Dyke on Rembrandt, Professor Van Dyke on Vermeer.--The thirty-ninth Vermeer.--Leonardo's legacy of beauty.--Raphael and the art of portrait painting.--Religious painting.--The cult of the drawing.--Venice as a painting-ground.--Silhouettes of old masters: Van Dyck's "Dædalus and Icarus", Velasquez's "Dying Seneca", Two portraits by Reynolds and Gainsborough.--Raeburn.--The eighteenth century: Hubert Robert, A portrait by David Prud'hon.--Gavarni.--Daumier.--Courbet.--Puvis de Chavannes.--Degas.--Monet.--Seven Renoirs.--Odilon Redon.--Cézanne.--Gauguin.--Van Gogh.--Early American portraiture.--The American wing at the Metropolitan museum.--The American business building.--Ameican industrial art.--The centenary of George Inness.--J. Alden Weir.--Robert Blum.--"291."--Fortuny.--Zorn.".