Matches in Harvard for { ?s ?p V. 1. Introduction / J. Drakakis -- Swisser-Swatter: making a man of English letters / T. Hawkes -- Post-structuralist Shakespeare: text and ideology / C. Norris -- Deconstructing Shakespeare's comedies / M. Evans -- Sexuality in the reading of Shakespeare: Hamlet and Measure for measure / J. Rose -- Reading the signs: towards a semiotics of Shakespearean drama / A. Serpieri translated by K. Elam -- Shakespeare in ideology / J.H. Kavanagh -- Disrupting sexual difference: meaning and gender in the comedies / C. Belsey -- Nymphs and reapers heavily vanish; the discursive con-texts of The tempest -- v. 2. After the new historicism / Steven Mullaney -- Cleopatra's seduction / Catherine Belsey -- Imprints : Shakespeare, Gutenburg and Descartes / Margreta de Grazia -- L[o]cating the sexual subject / Bruce R. Smith -- How to read The Merchant of Venice without being heterosexist / Alan Sinfield -- 'In what chapter of his bosom?' : reading Shakespeare's bodies / Keir Elam -- Shakespeare and cultural difference / Ania Loomba -- 'Othello was a white man' : properties of race on Shakespeare's stage / Dympna Callaghan -- Watching Hamlet watching : Lacan, Shakespeare and the mirror/stage / Philip Armstrong.. }
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- catalog description "V. 1. Introduction / J. Drakakis -- Swisser-Swatter: making a man of English letters / T. Hawkes -- Post-structuralist Shakespeare: text and ideology / C. Norris -- Deconstructing Shakespeare's comedies / M. Evans -- Sexuality in the reading of Shakespeare: Hamlet and Measure for measure / J. Rose -- Reading the signs: towards a semiotics of Shakespearean drama / A. Serpieri translated by K. Elam -- Shakespeare in ideology / J.H. Kavanagh -- Disrupting sexual difference: meaning and gender in the comedies / C. Belsey -- Nymphs and reapers heavily vanish; the discursive con-texts of The tempest -- v. 2. After the new historicism / Steven Mullaney -- Cleopatra's seduction / Catherine Belsey -- Imprints : Shakespeare, Gutenburg and Descartes / Margreta de Grazia -- L[o]cating the sexual subject / Bruce R. Smith -- How to read The Merchant of Venice without being heterosexist / Alan Sinfield -- 'In what chapter of his bosom?' : reading Shakespeare's bodies / Keir Elam -- Shakespeare and cultural difference / Ania Loomba -- 'Othello was a white man' : properties of race on Shakespeare's stage / Dympna Callaghan -- Watching Hamlet watching : Lacan, Shakespeare and the mirror/stage / Philip Armstrong.".
- catalog tableOfContents "V. 1. Introduction / J. Drakakis -- Swisser-Swatter: making a man of English letters / T. Hawkes -- Post-structuralist Shakespeare: text and ideology / C. Norris -- Deconstructing Shakespeare's comedies / M. Evans -- Sexuality in the reading of Shakespeare: Hamlet and Measure for measure / J. Rose -- Reading the signs: towards a semiotics of Shakespearean drama / A. Serpieri translated by K. Elam -- Shakespeare in ideology / J.H. Kavanagh -- Disrupting sexual difference: meaning and gender in the comedies / C. Belsey -- Nymphs and reapers heavily vanish; the discursive con-texts of The tempest -- v. 2. After the new historicism / Steven Mullaney -- Cleopatra's seduction / Catherine Belsey -- Imprints : Shakespeare, Gutenburg and Descartes / Margreta de Grazia -- L[o]cating the sexual subject / Bruce R. Smith -- How to read The Merchant of Venice without being heterosexist / Alan Sinfield -- 'In what chapter of his bosom?' : reading Shakespeare's bodies / Keir Elam -- Shakespeare and cultural difference / Ania Loomba -- 'Othello was a white man' : properties of race on Shakespeare's stage / Dympna Callaghan -- Watching Hamlet watching : Lacan, Shakespeare and the mirror/stage / Philip Armstrong.".