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- An_Infinity_of_Mirrors abstract "An Infinity of Mirrors, first published by Random House in 1964, was the fifth and most ambitious book by the American satirist and political novelist Richard Condon. Set in France and Germany of the 1920s and '30s, it is an almost unrelievedly bleak depiction of the rise of the Nazis and the Third Reich as seen through the eyes of a beautiful, rich Parisian Jew and her beloved husband, an old-fashioned Prussian army general. In spite of a few moments of typical Condonian gayness and insouciance, the overall tone is of foreboding, incipient horror, and the impending doom of the Holocaust. After publishing four novels from 1958 through 1961, Condon was already widely known as the author of The Manchurian Candidate and was the recipient of a so-called "Condon Cult". He then took three years to research the historical background of this book and bring it to publication. All of Condon's earlier books were replete with unexpected moments of violence and gratuitous death but none of them can compare with the historically accurate mass murders of An Infinity of Mirrors. Perhaps because of the unquestionably depressing nature of the book, it attracted less critical acclaim than his earlier works and did not noticeably expand the Condon Cult. The term "Holocaust" is not used in the book, as it was far less common in 1964, but Condon gives the reader an extremely grim picture of its origins and some of the practical details that went into its bureaucratic, yet evil, execution. The book was not a commercial success and, unlike three of his first four books, it was never made into a film.".
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- An_Infinity_of_Mirrors subject Category:1964_novels.
- An_Infinity_of_Mirrors subject Category:Novels_by_Richard_Condon.
- An_Infinity_of_Mirrors comment "An Infinity of Mirrors, first published by Random House in 1964, was the fifth and most ambitious book by the American satirist and political novelist Richard Condon. Set in France and Germany of the 1920s and '30s, it is an almost unrelievedly bleak depiction of the rise of the Nazis and the Third Reich as seen through the eyes of a beautiful, rich Parisian Jew and her beloved husband, an old-fashioned Prussian army general.".
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