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- Andrew_Glaze abstract "Andrew Glaze (born April 21, 1920) is an American poet, playwright, and novelist. Although much of Glaze's poetry reflects his coming of age in the South, and eventual return there, he also lived in New York City for 31 years. The poetry he wrote during this time captured a verbal photograph of life in Manhattan, and while living there he became part of a circle of poets that included Oscar Williams, Norman Rosten, John Ciardi, and William Packard.Andrew Louis Glaze was born in Nashville, Tennessee, April 21, 1920, to Mildred Ezell Glaze, and Dr. Andrew Louis Glaze M.D., a Dermatologist. He grew up in Birmingham, Alabama with a younger sister and brother. and graduated from Ramsay High School. He has been called both Andrew L. Glaze III, and Junior. His grandfather, Andrew L. Glaze, was a Confederate doctor during the Civil War, but the middle name had the alternate spelling of “Lewis”. After graduating from the Webb School in Bell Buckle, Tennessee, Glaze went on to major in English at Harvard College.Immediately after graduating from Harvard in 1942, Glaze enlisted in the United States Air Force to serve during World War II. He sailed to Europe on the RMS Queen Mary, which had been converted into a troop transport ship that could carry 15,000 men. “The American poet Andrew Glaze, then an Air Force lieutenant, stood on the foredeck and looked down on 'a quarter of a mile of human circles shooting craps'." When the war was over, while waiting his turn to be shipped back home, he attended the University of Grenoble.Glaze began to have success with his writing and between May 1950, and February 1956, Poetry magazine published seven of his poems. In 1951, Karl Shapiro, the editor of Poetry at the time, awarded him the magazine's Eunice Tietjens Memorial Prize At the same time, The New Yorker accepted one poem in 1950, and a second in 1955. He also had a short fiction piece appear in the 1953 4th Edition of New World Writing, and a poem in the 9th Edition in 1956. By January 19, 1957, The Saturday Review had accepted and published a poem titled Suwanee River.In 1957, Glaze moved with wife and daughter to New York City, where he worked on writing plays, poetry and fiction. They lived in Greenwich Village and Glaze wrote a poem titled As I walk mornings down Bleecker Street (later retitled, "Alleluia"), and another titled Village Parade, which appeared in his first book. A son was born, but by 1961 the couple had divorced. The move to Manhattan, and subsequent divorce were later incorporated into Glaze's poem and book titled A City. Glaze's ex-wife later became Dorothy Elliott Shari, when she married actor William Shari, and joined The Living Theatre, Julian Beck, and Judith Malina, for a six-year tour of Europe and abroad.The move to New York was for career reasons, but was hastened by a fear of reprisal for articles that Glaze had written as a reporter for the Birmingham Post Herald. This was the dawn of the Civil rights movement, when Racial segregation and Jim Crow laws were an every day part of life in Birmingham, and Glaze had testified against a deputy sheriff in the defence of two black men, while he also wrote about police brutality against demonstrators.In 1962, Glaze married his 2nd wife, dancer and actress, Adriana Keathley, At the time they met, she was in the original Broadway cast of Camelot. She later danced in the original cast of Michael Bennett's Broadway show Ballroom. In Andrew Glaze's Greatest Hits 1964-2004, Glaze notes that his poem Night Walk to a Country Theater (originally in the The New Yorker) was written on a visit to Connecticut where his wife was performing. The couple settled into an apartment on the West side of Manhattan, and for many years Glaze bicycled across town to the British Tourist Authority office on 5th Avenue and 54th Street, where he worked as a Press Officer, writing travel stories. His morning bicycle journey to work, heading East along 54th Street, inspired the poem Fantasy Street which was published in The New Yorker. The evening trip home, going West on 53rd Street, resulted in the matching poem Reality Street, which appeared in the magazine The Atlantic. Glaze referred to them as “Two Odes, after the fashion of Milton's L'Allego and Il Penseroso”. In 1978, Glaze did a reading and interview on WNYC radio, and stated that before The New Yorker published Fantasy Street, they sent a fact checker out to follow the entire route of the poem and check every location mentioned in it for accuracy.Glaze's first poetry book, Damned Ugly Children was published in 1966. The book was well received in a review in The New York Times by Richard Eberhart, “...Glaze's poems are refreshing in the intellectual health they show,… He possesses a true richness of psychic perception”. That same year the American Library Association proclaimed the book, “One of the most notable books of 1966”. On the wave of this acclaim, Glaze was invited to participate in the 1967 Morris Gray Lecture Series at Harvard, and to sign their historic Morris Gray Lecture Signature Book. A few months later, in June 1968, Robert Mazzocco reviewed the book, together with one by poet Robert Bly, in The New York Review of Books. The header for the dual review was "Jeremiads at Half-Mast". The following summer of 1969, Glaze found himself back at the Bread Loaf Writers' Conference, this time as a guest Faculty member, along with Maxine Kumin.In 1974, with the assistance of producer Joseph Papp, Glaze had a play, Kleinhoff Demonstrates tonight, produced at the Cricket Theatre in Minneapolis. Seven theatre groups performed the play between 1971—1988, and Papp's own organization, The Public Theater/New York Shakespeare Festival, did a production with the actor/singer known as "Meatloaf" in a leading role. A second play, The Man-Tree, had a staged reading in 1974 by Joseph Papp's The Public Theater. Two years later, The American Repertory Company of London, performed Glaze's play The Man-Tree in London.Glaze's book I Am The Jefferson County Courthouse appeared in 1981 and was published and chosen by Library Journal as one of the best small press titles of that year. In the title poem, Glaze manages to verbally paint the image of a busy Southern courthouse of the 1950s; and compares the Prosecutor to a bull frog on a lillypad, addressing a pond of "obedient" followers who wait for a signal "to sing"1983 brought two new plays. Love is Nothing to Laugh At, and Uneasy Lies which was reviewed in the New York Post by William Raidy.Between 1988–2002, Glaze prepared four new books of poetry for publication, while he and his wife lived and worked in her hometown of Miami, Florida. The first to be published, in 1991, was Reality Street. In 1997, the second, a collection of Glaze's poems titled Carnal Blessings was a finalist for the T.S. Eliot poetry prize. A third book of poems went to print in 1998 with the title, Someone Will Go On Owing, selected poems, 1966-1992, and won the SIBA Award. The book contained two poems that Maxine Kumin admitted were two of her favorites, Trash Dragon of Shensi and Fantasy Street.In 2002, the fourth book, Remembering Thunder was released, after which Glaze and his wife moved to his hometown of Birmingham, Alabama. This time Maxine Kumin commented, “His original and unsettling voice makes these poems a real triumph”. Since moving back to Alabama, Glaze has continued to write, and in 2004 his book Andrew Glaze: Greatest Hits 1964–2004 was published.In 2012 the Alabama Writers' Conclave announced Glaze's appointment as the 11th Poet Laureate of Alabama, beginning in 2013. On November 5, he was officially commissioned by the Governor of Alabama in a ceremony at the State Capitol building in Montgomery.".
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- Andrew_Glaze date "January 2014".
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- Andrew_Glaze reason "this is article is rather bloated for such a minor person. too many sections and badly organized per MOS:LAYOUT, this article reads in parts more like Glaze's 'curriculum vitae' instead of an encyclopaedia article, unsourced information, other information sourced to non-reliable sources, and the majority editor seems to only edit on this one article and the activity/contributions suggest a connection with the article subject".
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