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- Borrowed_chord abstract "A borrowed chord (also called mode mixture and modal interchange) is a chord borrowed from the parallel key (minor or major scale with the same tonic). Borrowed chords are typically used as "color chords", providing variety through contrasting scale forms, major and the three forms of minor. Similarly chords may be borrowed from the parallel modes, the various modes beginning on the same tonic, for example Dorian or Phrygian.Six chords borrowed from the parallel minor key are commonly found in the Baroque, Classical and Romantic eras (shown here in C major):File:Borrowed chords 1b.gifDiminished supertonic triad (iio): D - F - A♭Half-diminished supertonic seventh (iiØ7): D - F - A♭ - C"Flat three" (♭III): E♭ - G - B♭Minor subdominant (iv): F - A♭ - C"Flat six" (♭VI): A♭ - C - E♭Fully diminished leading-tone seventh (viio7): B - D - F - A♭The following three chords are also found in Romantic era, albeit rarely:File:Borrowed chords 2.gifMinor subdominant seventh (iv♭7): F - A♭ - C - E♭Major-minor subdominant seventh (IV♭7): F - A - C - E♭Dominant flat ninth (V♭9): G - B - D - F - A♭The major-minor subdominant seventh, which contains an A♮, is borrowed from the parallel ascending melodic minor scale.If the root of the borrowed chord is not in the original key, then the chord is named by the accidental. For instance, in a major key, a chord built on the parallel minor's sixth degree is a "flat six chord" written ♭VI. Chord progressions may be constructed with borrowed chords, including two progressions common in rock music, I - ♭VII - ♭VI - ♭VII, common everywhere, and I - ♭VI - IV, used a lot by bands including Genesis, Yes and Nirvana. ♭VII is from Mixolydian and ♭VI is found in both Aeolian and Phrygian. The ♭VII-I cadence with ♭VII substituting for V is common, as well as ♭II-I, ♭III-I, and ♭VI-I. In popular music, the major triad on the lowered third scale degree (♭III), the major triad on the lowered sixth scale degree (♭VI) and the major triad on the lowered seventh scale degree, or "flat seven" (♭VII, in C major: B♭, D, F) are common. For more examples of borrowed chords in popular music, see list of songs with chromatic harmony. A common borrowed chord from a parallel major key is the Picardy third.In major the typical chords borrowed from minor are iv, ♭VI, ♭VII, and in jazz, the iio. The ♭VII is also known as the subtonic. The lowered-sixth occurs in many of the chords borrowed from minor and is a, "distinctive characteristic," of borrowed chords. Borrowed chords have typical inversions or common positions, for example iio6 and iiø, and progress in the same manner as the diatonic chords they replace except for ♭VI, which progresses to V(7).".
- Borrowed_chord thumbnail BVII_borrowed_chord_in_C_major.png?width=300.
- Borrowed_chord wikiPageExternalLink glossary.html.
- Borrowed_chord wikiPageExternalLink columnist286.html.
- Borrowed_chord wikiPageExternalLink jazz-altered-chords.html.
- Borrowed_chord wikiPageExternalLink modemix.htm.
- Borrowed_chord wikiPageID "648960".
- Borrowed_chord wikiPageRevisionID "599180777".
- Borrowed_chord hasPhotoCollection Borrowed_chord.
- Borrowed_chord subject Category:Chord_progressions.
- Borrowed_chord subject Category:Chords.
- Borrowed_chord subject Category:Chromaticism.
- Borrowed_chord type Abstraction100002137.
- Borrowed_chord type Arrangement107938773.
- Borrowed_chord type Attribute100024264.
- Borrowed_chord type Chord113874927.
- Borrowed_chord type ChordProgressions.
- Borrowed_chord type Chords.
- Borrowed_chord type Group100031264.
- Borrowed_chord type Line113863771.
- Borrowed_chord type Ordering108456993.
- Borrowed_chord type Progression108458912.
- Borrowed_chord type Series108457976.
- Borrowed_chord type Shape100027807.
- Borrowed_chord type StraightLine113869991.
- Borrowed_chord comment "A borrowed chord (also called mode mixture and modal interchange) is a chord borrowed from the parallel key (minor or major scale with the same tonic). Borrowed chords are typically used as "color chords", providing variety through contrasting scale forms, major and the three forms of minor.".
- Borrowed_chord label "Accord d'emprunt".
- Borrowed_chord label "Borrowed chord".
- Borrowed_chord sameAs Accord_d'emprunt.
- Borrowed_chord sameAs m.02_g2n.
- Borrowed_chord sameAs Q2822789.
- Borrowed_chord sameAs Q2822789.
- Borrowed_chord sameAs Borrowed_chord.
- Borrowed_chord wasDerivedFrom Borrowed_chord?oldid=599180777.
- Borrowed_chord depiction BVII_borrowed_chord_in_C_major.png.
- Borrowed_chord isPrimaryTopicOf Borrowed_chord.