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- Counter_parallel abstract "In music theory, the counter parallel is terminology used in German theory derived mainly from Hugo Riemann to refer to (US:) relative (German: parallel) diatonic functions and is abbreviated Tcp in major and tCp in minor (Tkp respectively tKp in Riemann's diction). The chord can be seen as the "tonic parallel reversed" and is in a major key the same chord as the dominant parallel (Dp) and in a minor key equal to the subdominant parallel (sP); yet, it has another function. According to Riemann the chord is derived through Leittonwechselklänge (German: "leading-tone contrast chords").For example, Am is the tonic parallel of C, thus, Em is the counter parallel of C. The usual parallel chord in a major key is a minor third below the root and the counter parallel is a major third above. In a minor key the intervals are reversed: the tonic parallel (e.g. Eb in Cm) is a minor third above, and the counter parallel (e.g. Ab in Cm) is a major third below. Both the parallel and the counter parallel have two notes in common with the tonic (Am and C share C & E; Em and C share E & G).A chord should be analysed as a Tcp rather than Dp or sP particularly at cadential points, for example at an interrupted cadence, where it substitutes the tonic. It is most easily recognised in a minor key since it creates an ascending semitone step at the end of the cadence by moving from the major dominant chord to the minor counter parallel: Ex. t - s - D - tCp Em - Am - B - C where C is located a major third below Em Ex. T - S - D - tCp F - Bb - C - Db where Db is located a major third below the minor tonic FmIn four-part harmony, the Tcp usually has a doubled third to avoid consecutive fifths or octaves. This further emphasises its coherency with the tonic, since the third of the minor key counter parallel is the same as the tonic root which thus is doubled.".
- Counter_parallel thumbnail Tonic_counter_parallel_in_C_major.png?width=300.
- Counter_parallel wikiPageExternalLink chordfunctions.html.
- Counter_parallel wikiPageID "7907452".
- Counter_parallel wikiPageRevisionID "586590784".
- Counter_parallel hasPhotoCollection Counter_parallel.
- Counter_parallel subject Category:Diatonic_functions.
- Counter_parallel subject Category:Riemannian_theory.
- Counter_parallel type Abstraction100002137.
- Counter_parallel type DiatonicFunctions.
- Counter_parallel type Function113783816.
- Counter_parallel type MathematicalRelation113783581.
- Counter_parallel type Relation100031921.
- Counter_parallel comment "In music theory, the counter parallel is terminology used in German theory derived mainly from Hugo Riemann to refer to (US:) relative (German: parallel) diatonic functions and is abbreviated Tcp in major and tCp in minor (Tkp respectively tKp in Riemann's diction). The chord can be seen as the "tonic parallel reversed" and is in a major key the same chord as the dominant parallel (Dp) and in a minor key equal to the subdominant parallel (sP); yet, it has another function.".
- Counter_parallel label "Counter parallel".
- Counter_parallel sameAs m.026jmjy.
- Counter_parallel sameAs Q16246804.
- Counter_parallel sameAs Q16246804.
- Counter_parallel sameAs Counter_parallel.
- Counter_parallel wasDerivedFrom Counter_parallel?oldid=586590784.
- Counter_parallel depiction Tonic_counter_parallel_in_C_major.png.
- Counter_parallel isPrimaryTopicOf Counter_parallel.