Matches in DBpedia 2014 for { <http://dbpedia.org/resource/Crest_of_a_Knave> ?p ?o. }
- Crest_of_a_Knave runtime "39.5".
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- Crest_of_a_Knave abstract "Crest of a Knave is the sixteenth studio album by British rock band Jethro Tull, released in 1987.The album relied more heavily on Martin Barre's electric guitar than the band had since the 1970s. However, several tracks still featured drum machine instead of a live drummer. Keyboardist Peter-John Vettese was now absent and it was Ian Anderson who contributed the synth programming. The album sleeve only lists Ian Anderson, Martin Barre and Dave Pegg as official band members. The cover was designed by heraldic artist Andrew Stewart Jamieson.The album was a critical and commercial success. It went on to win the 1988 Grammy Award for Best Hard Rock/Metal Performance Vocal or Instrumental, beating the heavily favoured ...And Justice for All (Metallica) and critics' choice Nothing's Shocking (Jane's Addiction). The award was highly controversial as many did not consider the album or even the band to be hard rock or heavy metal. Under advisement from their manager, no one from the band turned up to the award ceremony, as they were told that they had no chance of winning. In response to the controversy, the band's record label Chrysalis took out an advert in a British music periodical with the line, "The flute is a heavy, metal instrument!" In 2007, the win was named one of the 10 biggest upsets in Grammy history by Entertainment Weekly.The style of Crest has been compared to that of Dire Straits, in part because Anderson no longer had the vocal range he once possessed (the result of recent throat surgery). Tull's frank treatment of sexuality was unabated, however. The album contains the popular live song "Budapest", which depicts a backstage scene with a shy local female stagehand.This album was released simultaneously on LP and on CD, but the vinyl edition did not feature the songs "Dogs in the Midwinter" and "The Waking Edge". Both tracks appeared on vinyl as B-sides to the singles, though.".
- Crest_of_a_Knave artist Jethro_Tull_(band).
- Crest_of_a_Knave genre Hard_rock.
- Crest_of_a_Knave genre Progressive_rock.
- Crest_of_a_Knave previousWork Original_Masters.
- Crest_of_a_Knave producer Jethro_Tull_(band).
- Crest_of_a_Knave recordLabel Chrysalis_Records.
- Crest_of_a_Knave releaseDate "1987-09-11".
- Crest_of_a_Knave runtime "2370.0".
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- Crest_of_a_Knave subsequentWork 20_Years_of_Jethro_Tull.
- Crest_of_a_Knave type Album.
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- Crest_of_a_Knave cover "Jethro Tull Crest of a Knave.jpg".
- Crest_of_a_Knave genre Hard_rock.
- Crest_of_a_Knave genre Progressive_rock.
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- Crest_of_a_Knave headline "2005".
- Crest_of_a_Knave headline "Side one".
- Crest_of_a_Knave headline "Side two".
- Crest_of_a_Knave id "r10386".
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- Crest_of_a_Knave label Chrysalis_Records.
- Crest_of_a_Knave label "Crest of a Knave".
- Crest_of_a_Knave lastAlbum "Original Masters".
- Crest_of_a_Knave length "219.0".
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- Crest_of_a_Knave name "Crest of a Knave".
- Crest_of_a_Knave nextAlbum "20".
- Crest_of_a_Knave producer Jethro_Tull_(band).
- Crest_of_a_Knave recorded "Early 1987".
- Crest_of_a_Knave released "1987-09-11".
- Crest_of_a_Knave rev AllMusic.
- Crest_of_a_Knave thisAlbum "Crest of a Knave".
- Crest_of_a_Knave title "Budapest".
- Crest_of_a_Knave title "Dogs in the Midwinter".
- Crest_of_a_Knave title "Farm on the Freeway".
- Crest_of_a_Knave title "Jump Start".
- Crest_of_a_Knave title "Mountain Men".
- Crest_of_a_Knave title "Part of the Machine".
- Crest_of_a_Knave title "Raising Steam".
- Crest_of_a_Knave title "Said She Was a Dancer".
- Crest_of_a_Knave title "Steel Monkey".
- Crest_of_a_Knave title "The Waking Edge".
- Crest_of_a_Knave type Album.
- Crest_of_a_Knave subject Category:1987_albums.
- Crest_of_a_Knave subject Category:Chrysalis_Records_albums.
- Crest_of_a_Knave subject Category:Jethro_Tull_albums.
- Crest_of_a_Knave type 1987Albums.
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- Crest_of_a_Knave comment "Crest of a Knave is the sixteenth studio album by British rock band Jethro Tull, released in 1987.The album relied more heavily on Martin Barre's electric guitar than the band had since the 1970s. However, several tracks still featured drum machine instead of a live drummer. Keyboardist Peter-John Vettese was now absent and it was Ian Anderson who contributed the synth programming. The album sleeve only lists Ian Anderson, Martin Barre and Dave Pegg as official band members.".
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