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- Four_Darks_in_Red abstract "Four Darks in Red shows Mark Rothko's often used axis of black, brown and red, which is in a number of his easel paintings and in the mural projects for the Seagram Building and the Rothko Chapel in Houston, Texas. Rothko's work brought movement to the flat two-dimensional canvas. The canvas remains stationary bit as the observer stares at the areas of color, they seem to move and vibrate. The perception of motion is an optical illusion because it is happening in the eyes and mind of the observer, not on the canvas itself. This motion imparts a pleasant feeling, much like light meditation might. The red field against which the four dark forms float is first tinged with crimson, then with orange, then with brown. The lozenge shapes complement these shifts. The one closest to the lower edge of the canvas is a slightly blackened crimson. Moving vertically upwards, the next is more violet. The large area of black is first shaded with blue and then with green. And finally, squeezed in at the top of the canvas there is a thin strip of a rather nondescript, umberish brown which seems to be holding all the rest in place.This is characteristic of Rothko's signature "multiform" style of blurred, lozenge shapes, moving horizontally across the surface of the canvas. Its meaning is difficult to comprehend, however it could be that, like Jackson Pollock, another Abstract Expressionist and contemporary of Rothko, the piece has no "meaning" in the normal sense of the word, but rather the painting is itself its own meaning. These paintings are not meant to be dissected and understood with the intellect, but focused on and joined with, enjoyed in a visual experience that can capture one's usually erratic attention and thereby uplift one's mood.".
- Four_Darks_in_Red author Mark_Rothko.
- Four_Darks_in_Red museum Whitney_Museum_of_American_Art.
- Four_Darks_in_Red wikiPageID "23418797".
- Four_Darks_in_Red wikiPageRevisionID "600720386".
- Four_Darks_in_Red artist "Mark Rothko".
- Four_Darks_in_Red hasPhotoCollection Four_Darks_in_Red.
- Four_Darks_in_Red heightMetric "259.1".
- Four_Darks_in_Red imageFile "RothkoFourDarksRed.jpg".
- Four_Darks_in_Red imperialUnit "in".
- Four_Darks_in_Red metricUnit "cm".
- Four_Darks_in_Red museum "Whitney Museum of American Art, New York".
- Four_Darks_in_Red title "Four Darks in Red".
- Four_Darks_in_Red type "Oil on Canvas".
- Four_Darks_in_Red widthMetric "294.6".
- Four_Darks_in_Red year "1958".
- Four_Darks_in_Red subject Category:1958_paintings.
- Four_Darks_in_Red subject Category:Paintings_by_Mark_Rothko.
- Four_Darks_in_Red type 1950sPaintings.
- Four_Darks_in_Red type Art102743547.
- Four_Darks_in_Red type Artifact100021939.
- Four_Darks_in_Red type Creation103129123.
- Four_Darks_in_Red type GraphicArt103453809.
- Four_Darks_in_Red type Object100002684.
- Four_Darks_in_Red type Painting103876519.
- Four_Darks_in_Red type PaintingsByMarkRothko.
- Four_Darks_in_Red type PhysicalEntity100001930.
- Four_Darks_in_Red type Whole100003553.
- Four_Darks_in_Red type Artwork.
- Four_Darks_in_Red type Work.
- Four_Darks_in_Red type CreativeWork.
- Four_Darks_in_Red type InformationEntity.
- Four_Darks_in_Red comment "Four Darks in Red shows Mark Rothko's often used axis of black, brown and red, which is in a number of his easel paintings and in the mural projects for the Seagram Building and the Rothko Chapel in Houston, Texas. Rothko's work brought movement to the flat two-dimensional canvas. The canvas remains stationary bit as the observer stares at the areas of color, they seem to move and vibrate.".
- Four_Darks_in_Red label "Four Darks in Red".
- Four_Darks_in_Red sameAs m.06w2b8d.
- Four_Darks_in_Red sameAs Q5475121.
- Four_Darks_in_Red sameAs Q5475121.
- Four_Darks_in_Red sameAs Four_Darks_in_Red.
- Four_Darks_in_Red wasDerivedFrom Four_Darks_in_Red?oldid=600720386.
- Four_Darks_in_Red isPrimaryTopicOf Four_Darks_in_Red.
- Four_Darks_in_Red name "Four Darks in Red".