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- Hyperlink_cinema abstract "Hyperlink cinema is a term coined by author Alissa Quart, who used the term in her review of the film Happy Endings (2005) for the film journal Film Comment in 2005. Film critic Roger Ebert popularized the term when reviewing the film Syriana in 2005. These films are not hypermedia and do not have actual hyperlinks, but are multilinear in a more metaphorical sense.In describing Happy Endings, Quart considers captions acting as footnotes and split screen as elements of hyperlink cinema and notes the influence of the World Wide Web and multitasking. Playing with time and characters' personal history, plot twists, interwoven storylines between multiple characters, jumping between the beginning and end (flashback and flashforward) are also elements. Ebert further describes hyperlink cinema as films where the characters or action reside in separate stories, but a connection or influence between those disparate stories is slowly revealed to the audience; illustrated in Mexican director Alejandro González Iñárritu's films Amores Perros (2000), 21 Grams (2003), and Babel (2006).Quart suggests that director Robert Altman created the structure for the genre and demonstrated its usefulness for combining interlocking stories in his films Nashville (1975) and Short Cuts (1993). She also mentions the television series 24 and discusses Alan Rudolph’s film Welcome to L.A. (1976) as an early prototype. Crash (2004) is an example of the genre, as are Steven Soderbergh's Traffic (2000), City of God (2002), Syriana (2005), and Nine Lives (2005).Elements of hyperlink cinema can also be seen in certain earlier films.One example is The Saragossa Manuscript (1965).Another isKanchenjungha (1962) by Satyajit Ray.".
- Hyperlink_cinema wikiPageExternalLink syriana.
- Hyperlink_cinema wikiPageID "4519522".
- Hyperlink_cinema wikiPageRevisionID "604440161".
- Hyperlink_cinema hasPhotoCollection Hyperlink_cinema.
- Hyperlink_cinema subject Category:Concepts_in_film_theory.
- Hyperlink_cinema subject Category:Film_genres.
- Hyperlink_cinema subject Category:Film_styles.
- Hyperlink_cinema subject Category:History_of_film.
- Hyperlink_cinema type Abstraction100002137.
- Hyperlink_cinema type Attribute100024264.
- Hyperlink_cinema type Category105838765.
- Hyperlink_cinema type Cognition100023271.
- Hyperlink_cinema type Concept105835747.
- Hyperlink_cinema type Content105809192.
- Hyperlink_cinema type FilmGenres.
- Hyperlink_cinema type FilmStyles.
- Hyperlink_cinema type Genre105845332.
- Hyperlink_cinema type Idea105833840.
- Hyperlink_cinema type Kind105839024.
- Hyperlink_cinema type Manner104928903.
- Hyperlink_cinema type Property104916342.
- Hyperlink_cinema type PsychologicalFeature100023100.
- Hyperlink_cinema comment "Hyperlink cinema is a term coined by author Alissa Quart, who used the term in her review of the film Happy Endings (2005) for the film journal Film Comment in 2005. Film critic Roger Ebert popularized the term when reviewing the film Syriana in 2005.".
- Hyperlink_cinema label "Hyperlink cinema".
- Hyperlink_cinema sameAs m.0c6tyn.
- Hyperlink_cinema sameAs Q5958263.
- Hyperlink_cinema sameAs Q5958263.
- Hyperlink_cinema sameAs Hyperlink_cinema.
- Hyperlink_cinema wasDerivedFrom Hyperlink_cinema?oldid=604440161.
- Hyperlink_cinema isPrimaryTopicOf Hyperlink_cinema.