Matches in DBpedia 2014 for { <http://dbpedia.org/resource/Massimo_Stanzione> ?p ?o. }
Showing items 1 to 74 of
74
with 100 items per page.
- Massimo_Stanzione abstract "Massimo Stanzione (also called Stanzioni; ca. 1586 – ca. 1656) was an Italian Baroque painter, mainly active in Naples.Born a Frattamaggiore in 1585, Massimo was greatly influenced by Michelangelo Merisi da Caravaggio. The thing that distinguished Massimo’s art from Carravaggism was that he combined Caravaggio’s dramatically lit and brutally realistic style with the classical and lyrical manner of Bolognesi painters, earning him the nickname of the Napolitan Guido Reni.Though his preliminary training is uncertain, it is thought that he studied with Fabrizio Santafede and Battistello Caracciolo; however, most of the influence he received was from Caravaggio. Art historians believe that Stanzione developed his career as an artist in Rome. It is thought that he began his career as a portraitist. Some of his most famous works include Portrait of a Woman in Popular Costume, and Portrait of Jerome Banks.His first trip to Rome was in 1617 to 1618, where he worked in Santa Maria della Scala, where traces of his work remain. He returned to the Eternal City several times between 1620 and about 1630. In Rome he underwent the influence of Annibale Carracci and of the revamped Caravaggism of Simon Vouet, among others. In 1621, pope Gregory XV awarded him the title of Knight of the Golden Spur and in 1627, he received the title of Knight of Saint George and Urban VIII invested him with the Order of Christ which, in Spain, gave him the title Caballero Máximo.Massimo became the principal Neapolitan painter in the beginning of the 17th century. This was due to his vast altarpieces and frescoes and of course his following of students and imitators. He and his rival Jusepe de Ribera dominated the painting scene in Naples. Massimo’s rich color and idealized naturalism had a large influence on other local artists, such as Francesco Solimena. It is believed that Massimo Stanzione died during the plague of 1656.Naples was the second largest city after Paris during the 17th century. In 1630, it was a center of opportunity for artistic commissions. Many of these artistic commissions were sought after by the Spanish Viceroys who maintained positions of political power in Naples at this time. Other art enthusiasts arrived from various Mediterranean ports in Naples looking for artistic expertise. Stanzione along with Bernardo Cavallino and most importantly Artemisia Gentileschi represented a new and more graceful painting style. Apparently Stanzione’s artistic relationship with Gentileschi was significant in his development as an artist. Documentation shows that Stanzione and Gentileschi both moved to Naples the same year, 1630. De Dominici describes the relationship between Gentileschi and Stanzione as an informal apprenticeship. Stanzione joined Artemisia daily to observe her while she painted and may have imitated her coloring style, but not her design style. There is no written proof to substantiate this hypothesis because the fact remains that Stanzione had a tremendous amount of interaction with other colorists throughout this time and also he was already established artistically in Rome by 1617 when he was working with Saraceni and Honthrost at the Santa Maria della Scala. The S.M. della Scala was one of the first hospitals in Europe. The hospital had its own organization, which was set up as a means to care for pilgrims, assist the poor and provide for abandoned children.However, later writers credited Artemisia with influencing Stanzione’s rich light effects and greater classicizing. Gentileschi and Stanzioni collaborated on certain works such as Birth of St. John the Baptist for Philip IV’s Buen Retiro Palace. The two artists compromised their styles; Gentileschi subdued her realist style of tenebrism and substituted it with more even lighting and classical composition, and the two succeeded in creating an agreeable collection. Stanzione’s Saint Agatha In Prison along with his Young Saint John the Baptist were his first known works. Those works combine the influence of Reni and Domenichino among others to create a composition of “lyric classicism”.".
- Massimo_Stanzione birthDate "1586".
- Massimo_Stanzione birthYear "1586".
- Massimo_Stanzione deathDate "1656".
- Massimo_Stanzione deathYear "1656".
- Massimo_Stanzione thumbnail Stanzione,_Massimo_-_Judith_with_the_Head_of_Holofernes_-_c._1630–35.jpg?width=300.
- Massimo_Stanzione wikiPageExternalLink 81943.
- Massimo_Stanzione wikiPageExternalLink biograph.html.
- Massimo_Stanzione wikiPageID "8075715".
- Massimo_Stanzione wikiPageRevisionID "602500962".
- Massimo_Stanzione dateOfBirth "ca. 1586".
- Massimo_Stanzione dateOfDeath "ca. 1656".
- Massimo_Stanzione hasPhotoCollection Massimo_Stanzione.
- Massimo_Stanzione name "Stanzione, Massimo".
- Massimo_Stanzione placeOfBirth "Rome, Italy".
- Massimo_Stanzione shortDescription "Italian Baroque painter".
- Massimo_Stanzione description "Italian Baroque painter".
- Massimo_Stanzione description "Italian Baroque painter".
- Massimo_Stanzione subject Category:1580s_births.
- Massimo_Stanzione subject Category:1660s_deaths.
- Massimo_Stanzione subject Category:16th-century_Italian_painters.
- Massimo_Stanzione subject Category:17th-century_Italian_painters.
- Massimo_Stanzione subject Category:Italian_Baroque_painters.
- Massimo_Stanzione subject Category:Neapolitan_painters.
- Massimo_Stanzione subject Category:People_from_the_Province_of_Caserta.
- Massimo_Stanzione type Artist109812338.
- Massimo_Stanzione type CausalAgent100007347.
- Massimo_Stanzione type Creator109614315.
- Massimo_Stanzione type ItalianBaroquePainters.
- Massimo_Stanzione type ItalianPainters.
- Massimo_Stanzione type LivingThing100004258.
- Massimo_Stanzione type NeapolitanPainters.
- Massimo_Stanzione type Object100002684.
- Massimo_Stanzione type Organism100004475.
- Massimo_Stanzione type Painter110391653.
- Massimo_Stanzione type PeopleFromTheProvinceOfCaserta.
- Massimo_Stanzione type Person100007846.
- Massimo_Stanzione type PhysicalEntity100001930.
- Massimo_Stanzione type Whole100003553.
- Massimo_Stanzione type YagoLegalActor.
- Massimo_Stanzione type YagoLegalActorGeo.
- Massimo_Stanzione type Agent.
- Massimo_Stanzione type Person.
- Massimo_Stanzione type Person.
- Massimo_Stanzione type Q215627.
- Massimo_Stanzione type Q5.
- Massimo_Stanzione type Agent.
- Massimo_Stanzione type NaturalPerson.
- Massimo_Stanzione type Thing.
- Massimo_Stanzione type Person.
- Massimo_Stanzione comment "Massimo Stanzione (also called Stanzioni; ca. 1586 – ca. 1656) was an Italian Baroque painter, mainly active in Naples.Born a Frattamaggiore in 1585, Massimo was greatly influenced by Michelangelo Merisi da Caravaggio.".
- Massimo_Stanzione label "Massimo Stanzione".
- Massimo_Stanzione label "Massimo Stanzione".
- Massimo_Stanzione label "Massimo Stanzione".
- Massimo_Stanzione label "Massimo Stanzione".
- Massimo_Stanzione label "Massimo Stanzione".
- Massimo_Stanzione label "Massimo Stanzione".
- Massimo_Stanzione label "Станционе, Массимо".
- Massimo_Stanzione sameAs Massimo_Stanzione.
- Massimo_Stanzione sameAs Massimo_Stanzione.
- Massimo_Stanzione sameAs Massimo_Stanzione.
- Massimo_Stanzione sameAs Massimo_Stanzione.
- Massimo_Stanzione sameAs Massimo_Stanzione.
- Massimo_Stanzione sameAs m.026qknc.
- Massimo_Stanzione sameAs Q982384.
- Massimo_Stanzione sameAs Q982384.
- Massimo_Stanzione sameAs Massimo_Stanzione.
- Massimo_Stanzione wasDerivedFrom Massimo_Stanzione?oldid=602500962.
- Massimo_Stanzione depiction Stanzione,_Massimo_-_Judith_with_the_Head_of_Holofernes_-_c._1630–35.jpg.
- Massimo_Stanzione givenName "Massimo".
- Massimo_Stanzione isPrimaryTopicOf Massimo_Stanzione.
- Massimo_Stanzione name "Massimo Stanzione".
- Massimo_Stanzione name "Stanzione, Massimo".
- Massimo_Stanzione surname "Stanzione".