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- Ragtime_progression abstract "The ragtime progression is a chord progression characterized by a chain of secondary dominants, named for its popularity in the ragtime genre, despite being much older. Also typical of parlour music, its use originated in classical music and later spread to American folk music. Growing, "by a process of gradual accretion. First the dominant chord acquired its own dominant...This then acquired its dominant, which in turn acquired yet another dominant, giving":Or:Or:In C major this is:Most commonly found in its four chord version (thus the parentheses). About this sound Play This may be perceived as a, "harder, bouncier sounding progression," than the diatonic vi-ii-V7-I, in C: Am-Dm-G7-C. About this sound Play The three chord version (II-V-I) is, "related to the cadential progression IV-V-I...in which the V is tonicized and stabilized by means of II with a raised third."The progression is an example of centripetal harmony, harmony which leads to the tonic and an example of the circle progression, a progression along the circle of fifths. Though creating or featuring chromaticism, the bass (if the roots of the chords), and often the melody, are pentatonic. (Major pentatonic on C: CDEGA) Contrastingly, Averill argues that the progression was used because of the potential if offered for chromatic pitch areas.Variations include the addition of minor seventh chords before the dominant seventh chords, creating overlapping temporary ii-V-I relationships through ii-V-I substitution:since Bm7-E7-A is a ii-V-I progression, as is Em7-A7-D and so on. About this sound Play Examples of the use of the ragtime progression include the chorus of Howard & Emerson's "Hello! Ma Baby" (1899), the traditional "Keep On Truckin' Mama", Robert Johnson's "They're Red Hot" (1936), Arlo Guthrie's "Alice's Restaurant" (1967), Bruce Channel's "Hey! Baby" (1962), The Rooftop Singers' "Walk Right In" (1963), James P. Johnson's "Charleston" (1923), Ray Henderson's "Five Foot Two, Eyes of Blue" (1925), Rev. Gary Davis's "Salty Dog", Bernie and Pinkard's "Sweet Georgia Brown" (1925), the "Cujus animam" (mm.9-18) in Rossini's Stabat Mater, the beginning of Liszt's Liebesträume (1850), Bob Carleton's "Ja-Da" (1918), and Sonny Rollins's "Doxy" (1954).".
- Ragtime_progression thumbnail Ragtime_progression_in_C.png?width=300.
- Ragtime_progression wikiPageExternalLink ragtime.html.
- Ragtime_progression wikiPageID "1589344".
- Ragtime_progression wikiPageRevisionID "586187313".
- Ragtime_progression description "Performed by Martha Goldstein on an 1851 Erard piano".
- Ragtime_progression filename "Franz Liszt - Liebestraum, Ab Major.ogg".
- Ragtime_progression format Ogg.
- Ragtime_progression hasPhotoCollection Ragtime_progression.
- Ragtime_progression title "Liebestraum No. 3".
- Ragtime_progression subject Category:Chord_progressions.
- Ragtime_progression subject Category:Ragtime.
- Ragtime_progression type Abstraction100002137.
- Ragtime_progression type Arrangement107938773.
- Ragtime_progression type ChordProgressions.
- Ragtime_progression type Group100031264.
- Ragtime_progression type Ordering108456993.
- Ragtime_progression type Progression108458912.
- Ragtime_progression type Series108457976.
- Ragtime_progression comment "The ragtime progression is a chord progression characterized by a chain of secondary dominants, named for its popularity in the ragtime genre, despite being much older. Also typical of parlour music, its use originated in classical music and later spread to American folk music. Growing, "by a process of gradual accretion.".
- Ragtime_progression label "Ragtime progression".
- Ragtime_progression sameAs m.05dswz.
- Ragtime_progression sameAs Q7283249.
- Ragtime_progression sameAs Q7283249.
- Ragtime_progression sameAs Ragtime_progression.
- Ragtime_progression wasDerivedFrom Ragtime_progression?oldid=586187313.
- Ragtime_progression depiction Ragtime_progression_in_C.png.
- Ragtime_progression isPrimaryTopicOf Ragtime_progression.