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- catalog contributor b609908.
- catalog created "c1984.".
- catalog date "1984".
- catalog date "c1984.".
- catalog dateCopyrighted "c1984.".
- catalog description "I. The historical approach and its limitations : Origins of the well-tempered clavier ; Meaning of the term clavier ; Origins of book II ; Editions ; Bach's text ; Early and later fashions in playing Bach ; A new search for Bach ; Literature about the well-tempered clavier -- II. The esthetic approach : The pieces of the well-tempered clavier ; Organization of the WTC ; The WTC and instrumental sound ; Relative validity of varying opinions on the WTC -- ".
- catalog description "III. The melodic approach : Prelude: eulogy of the human voice ; A note on melodic form ; Intervals and the voice ; Musical intervals within the context of a melody ; Complex organization of intervals ; Essential melody and various levels of elaboration ; Influence of vocal feeling on melodic articulation ; Associative aspects of melody ; Melody at the keyboard ; The concepts of articulation, phrasing, and inflection ; Existing and suggested ways of indicating articulation and phrasing ; The melodic approach to a new piece ; Ultimate inseparability of melody from other musical elements -- IV. The rhythmic approach : Our physical relationship to rhythm ; Some characteristics to meter ; The problem of a distinction between meter and rhythm ; Some elements of rhythm ; The formation of rhythmic groupings, or rhythmic syllables ; Rhythmic polyphony ; Rhythm and imaginary movement ; Summary of essential rhythmic relationships and means of expression -- ".
- catalog description "V. The harmonic approach : Bach's harmonic style ; Characteristics of vertical combinations of sound ; The chords of thoroughbass- their classification and hierarchy ; Chords and their components in the context of tonality ; Harmonic intensity (or activity)- its degrees and distribution ; Diagonal harmonic relationships ; Essential harmonic and tonal progressions and the varying degrees of their elaboration ; Tonal structure- the orientation of a piece as a whole ; The vocal sense of harmony ; The inner harmonic ear- disciplines in sharpening its perceptions ; The expression on keyboard instruments of harmony and harmonic intensities -- VI. The interpretive approach : A backward glance ; The approach through the inner ear ; The technical approach ; The formation of an interpretation ; The later life of an interpretation, or inspiration and its vicissitudes ; Ideals of interpretation.".
- catalog extent "xvii, 132 p. :".
- catalog identifier "0300030584".
- catalog issued "1984".
- catalog issued "c1984.".
- catalog language "eng".
- catalog publisher "New Haven : Yale University Press,".
- catalog subject "Bach, Johann Sebastian, 1685-1750. Wohltemperierte Klavier, 1. T.".
- catalog subject "Bach, Johann Sebastian, 1685-1750. Wohltemperierte Klavier, 2. T.".
- catalog subject "Bach, Johann Sebastian, 1685-1750. Wohltemperierte Klavier.".
- catalog subject "ML410.B3 K57".
- catalog subject "MT145.B14 K57 1984".
- catalog tableOfContents "I. The historical approach and its limitations : Origins of the well-tempered clavier ; Meaning of the term clavier ; Origins of book II ; Editions ; Bach's text ; Early and later fashions in playing Bach ; A new search for Bach ; Literature about the well-tempered clavier -- II. The esthetic approach : The pieces of the well-tempered clavier ; Organization of the WTC ; The WTC and instrumental sound ; Relative validity of varying opinions on the WTC -- ".
- catalog tableOfContents "III. The melodic approach : Prelude: eulogy of the human voice ; A note on melodic form ; Intervals and the voice ; Musical intervals within the context of a melody ; Complex organization of intervals ; Essential melody and various levels of elaboration ; Influence of vocal feeling on melodic articulation ; Associative aspects of melody ; Melody at the keyboard ; The concepts of articulation, phrasing, and inflection ; Existing and suggested ways of indicating articulation and phrasing ; The melodic approach to a new piece ; Ultimate inseparability of melody from other musical elements -- IV. The rhythmic approach : Our physical relationship to rhythm ; Some characteristics to meter ; The problem of a distinction between meter and rhythm ; Some elements of rhythm ; The formation of rhythmic groupings, or rhythmic syllables ; Rhythmic polyphony ; Rhythm and imaginary movement ; Summary of essential rhythmic relationships and means of expression -- ".
- catalog tableOfContents "V. The harmonic approach : Bach's harmonic style ; Characteristics of vertical combinations of sound ; The chords of thoroughbass- their classification and hierarchy ; Chords and their components in the context of tonality ; Harmonic intensity (or activity)- its degrees and distribution ; Diagonal harmonic relationships ; Essential harmonic and tonal progressions and the varying degrees of their elaboration ; Tonal structure- the orientation of a piece as a whole ; The vocal sense of harmony ; The inner harmonic ear- disciplines in sharpening its perceptions ; The expression on keyboard instruments of harmony and harmonic intensities -- VI. The interpretive approach : A backward glance ; The approach through the inner ear ; The technical approach ; The formation of an interpretation ; The later life of an interpretation, or inspiration and its vicissitudes ; Ideals of interpretation.".
- catalog title "Interpreting Bach's Well-tempered clavier : a performer's discourse of method / Ralph Kirkpatrick.".
- catalog type "text".