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- catalog contributor b1582406.
- catalog created "[1961]".
- catalog date "1961".
- catalog date "[1961]".
- catalog dateCopyrighted "[1961]".
- catalog description "Bibliography: p. 221-245.".
- catalog description "IV. The linear aspects of music: melody and counterpoint : The psychological and aesthetic aspects of melody ; The rhythmic aspects of melody ; The climatic aspects of melody -- Types of melody : Monophonic melody ; Polyphonic melody : Organum ; Strict organum ; Free organum ; Consonance and Dissonance ; Counterpoint ; Imitation ; The Mass. Homophonic melody : Pitch ; Intervals -- Tonality : Diatonic scales ; Chromatic scales ; Whole-tone scale -- V. The vertical aspects of music: harmony : The psychological and aesthetic aspects of harmony ; Consonance and dissonance -- The structure of harmony : The triad ; Related triads : The dominant ; The subdominant ; The diminished ; The augmented ; In minor. The seventh chord ; The ninth, eleventh, and thirteenth chords ; Nonharmonic tones : Passing tones ; Suspension ; Appoggiatura ; Neighboring tone ; Anticipation ; Echappee ; Pedal point ; Modulation : Common chord ; Enharmonic change ; Chromatic alteration".
- catalog description "Part I. General principles : I. Aesthetic principles of music and the allied arts: a comparison of media : The evolution of music : From primitive to aesthetic art -- Philosophy of art (aesthetics) : Definition of aesthetics ; Definition of art -- The aesthetics of music : Definition of musical aesthetics ; In antiquity ; In the Middle Ages ; In the Gothic period ; In the Renaissance period ; In the Baroque period ; In the Rococo period ; In the Classic period ; In the Romantic period ; In the Modern period ; Modern Soviet composers -- The allied arts : The main fields of aesthetic inquiry ; Music and poetry compared ; Architecture, sculpture, and painting compared ; Music and representation -- Program versus absolute music : Definition of descriptive music ; Definition of absolute music ; The autonomous approach to understanding music ; Testing the autonomous theory -- II. The art of listening : "Classical" versus popular music : Definition of "Classical" music ; Problem of terminology ; Suggested solution to the problem ; Distinctions between serious and popular music ; Perception -- Types of listeners : Passive ; Active -- Approaches to listening : Typical approach ; Creative approach ; Objective approach ; Aesthetic approach -- the listener's goal".
- catalog description "Part II. Musical elements : III. The pulse of music: rhythm : The psychological and aesthetic aspects of rhythm ; The temporal aspects of rhythm ; Syncopation ; Accent ; Tempo ; Developing structure from basic rhythmic patterns -- Dances in duple meter : Habanera ; Tango ; Polka ; Pavane ; Gavotte ; Galop ; Trepak -- Dances in triple meter : Chaconne ; Passacaglia ; Courante ; Galliard ; Polonaise ; Sarabande ; Fandango ; Waltz ; Seguidilla ; Minuet ; Bolero ; Mazurka -- Dances in quadruple meter : Bourree ; Allemande ; Fox Trot -- Dances in compound triple meter : Tarantella ; Gigue -- Dance influence on non-dance music : Early suite versus the suite of Bach ; Minuet ; Sonata da Camera ; French overture ; Modern suite ; "Apotheosis of the dance" ; March ; March as absolute music".
- catalog description "Part III. Synthesis of musical elements : VIII. Juxtaposition of musical elements : Rhythm ; Melody ; Harmony ; Color ; Rhythm ; Melody ; Harmony ; Color ; Rhythm ; Melody ; Harmony ; Color ; Juxtaposed harmony; Juxtaposed rhythm ; Juxtaposed melody ; color ; Juxtaposed melody ; Juxtaposed color ; "Bolero" -- IX. The architectural aspects of music: form -- Two methods of approach to the study of form -- The general principles of form in art -- Achieving unity in music : Motive (or Phrase) development : Repetition, sequence ; Augmentation, diminution ; Embellishment, theme -- Achieving variety in music : Deviation and return ; The phrase ; The period ; Types of cadences ; Irregular phrases ; The double period ; The phrase group -- Simple part forms : Two-part song form ; Three-part song form ; Five-part song form : Codetta -- Hearing simple part forms -- Larger forms : Song form with trio ; The rondo form ; The second rondo form ; The third rondo form ; Rondo-sonata ; Theme and variation form ; Fugue ; Sonata-allegro form -- X. The final outcome: style : Style in music -- Stylistic concepts be periods -- Recognizing stylistic traits of typical composers.".
- catalog description "VI. New tonal concepts : The "mystic chord" ; Atonality ; Polytonality ; Pan-diatonicism -- New tonal horizons : The Hindemith theory ; The Schillinger system ; The Schenker system of analysis ; Music from electronic instruments ; Music from electronic tape ; Music from automatic computers -- VII. The acoustical aspects of music: tone color : The psychological and aesthetic aspects of color ; The physical aspects of tone color -- Vocal tone color : Classification of vocal tone color : Women's voices ; Men's voices. Orchestral tone color : Classification of instrumental tone color : Woodwinds ; Brass instruments ; Percussion instruments ; Organ (pipe), piano, harp ; Strings. The orchestra -- its growth ; The composer's attitude toward tone color".
- catalog extent "xvii, 329 p.".
- catalog hasFormat "Introduction to music appreciation.".
- catalog isFormatOf "Introduction to music appreciation.".
- catalog issued "1961".
- catalog issued "[1961]".
- catalog language "eng".
- catalog publisher "Philadelphia, Chilton Co.".
- catalog relation "Introduction to music appreciation.".
- catalog subject "780.15".
- catalog subject "MT6 .M48 1961a".
- catalog subject "Music Discography.".
- catalog subject "Music appreciation.".
- catalog subject "Musical analysis.".
- catalog tableOfContents "IV. The linear aspects of music: melody and counterpoint : The psychological and aesthetic aspects of melody ; The rhythmic aspects of melody ; The climatic aspects of melody -- Types of melody : Monophonic melody ; Polyphonic melody : Organum ; Strict organum ; Free organum ; Consonance and Dissonance ; Counterpoint ; Imitation ; The Mass. Homophonic melody : Pitch ; Intervals -- Tonality : Diatonic scales ; Chromatic scales ; Whole-tone scale -- V. The vertical aspects of music: harmony : The psychological and aesthetic aspects of harmony ; Consonance and dissonance -- The structure of harmony : The triad ; Related triads : The dominant ; The subdominant ; The diminished ; The augmented ; In minor. The seventh chord ; The ninth, eleventh, and thirteenth chords ; Nonharmonic tones : Passing tones ; Suspension ; Appoggiatura ; Neighboring tone ; Anticipation ; Echappee ; Pedal point ; Modulation : Common chord ; Enharmonic change ; Chromatic alteration".
- catalog tableOfContents "Part I. General principles : I. Aesthetic principles of music and the allied arts: a comparison of media : The evolution of music : From primitive to aesthetic art -- Philosophy of art (aesthetics) : Definition of aesthetics ; Definition of art -- The aesthetics of music : Definition of musical aesthetics ; In antiquity ; In the Middle Ages ; In the Gothic period ; In the Renaissance period ; In the Baroque period ; In the Rococo period ; In the Classic period ; In the Romantic period ; In the Modern period ; Modern Soviet composers -- The allied arts : The main fields of aesthetic inquiry ; Music and poetry compared ; Architecture, sculpture, and painting compared ; Music and representation -- Program versus absolute music : Definition of descriptive music ; Definition of absolute music ; The autonomous approach to understanding music ; Testing the autonomous theory -- II. The art of listening : "Classical" versus popular music : Definition of "Classical" music ; Problem of terminology ; Suggested solution to the problem ; Distinctions between serious and popular music ; Perception -- Types of listeners : Passive ; Active -- Approaches to listening : Typical approach ; Creative approach ; Objective approach ; Aesthetic approach -- the listener's goal".
- catalog tableOfContents "Part II. Musical elements : III. The pulse of music: rhythm : The psychological and aesthetic aspects of rhythm ; The temporal aspects of rhythm ; Syncopation ; Accent ; Tempo ; Developing structure from basic rhythmic patterns -- Dances in duple meter : Habanera ; Tango ; Polka ; Pavane ; Gavotte ; Galop ; Trepak -- Dances in triple meter : Chaconne ; Passacaglia ; Courante ; Galliard ; Polonaise ; Sarabande ; Fandango ; Waltz ; Seguidilla ; Minuet ; Bolero ; Mazurka -- Dances in quadruple meter : Bourree ; Allemande ; Fox Trot -- Dances in compound triple meter : Tarantella ; Gigue -- Dance influence on non-dance music : Early suite versus the suite of Bach ; Minuet ; Sonata da Camera ; French overture ; Modern suite ; "Apotheosis of the dance" ; March ; March as absolute music".
- catalog tableOfContents "Part III. Synthesis of musical elements : VIII. Juxtaposition of musical elements : Rhythm ; Melody ; Harmony ; Color ; Rhythm ; Melody ; Harmony ; Color ; Rhythm ; Melody ; Harmony ; Color ; Juxtaposed harmony; Juxtaposed rhythm ; Juxtaposed melody ; color ; Juxtaposed melody ; Juxtaposed color ; "Bolero" -- IX. The architectural aspects of music: form -- Two methods of approach to the study of form -- The general principles of form in art -- Achieving unity in music : Motive (or Phrase) development : Repetition, sequence ; Augmentation, diminution ; Embellishment, theme -- Achieving variety in music : Deviation and return ; The phrase ; The period ; Types of cadences ; Irregular phrases ; The double period ; The phrase group -- Simple part forms : Two-part song form ; Three-part song form ; Five-part song form : Codetta -- Hearing simple part forms -- Larger forms : Song form with trio ; The rondo form ; The second rondo form ; The third rondo form ; Rondo-sonata ; Theme and variation form ; Fugue ; Sonata-allegro form -- X. The final outcome: style : Style in music -- Stylistic concepts be periods -- Recognizing stylistic traits of typical composers.".
- catalog tableOfContents "VI. New tonal concepts : The "mystic chord" ; Atonality ; Polytonality ; Pan-diatonicism -- New tonal horizons : The Hindemith theory ; The Schillinger system ; The Schenker system of analysis ; Music from electronic instruments ; Music from electronic tape ; Music from automatic computers -- VII. The acoustical aspects of music: tone color : The psychological and aesthetic aspects of color ; The physical aspects of tone color -- Vocal tone color : Classification of vocal tone color : Women's voices ; Men's voices. Orchestral tone color : Classification of instrumental tone color : Woodwinds ; Brass instruments ; Percussion instruments ; Organ (pipe), piano, harp ; Strings. The orchestra -- its growth ; The composer's attitude toward tone color".
- catalog title "Introduction to music appreciation, an objective approach to listening.".
- catalog type "Discography. fast".
- catalog type "text".