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- catalog contributor b2150071.
- catalog created "1966.".
- catalog date "1966".
- catalog date "1966.".
- catalog dateCopyrighted "1966.".
- catalog description "The singers. The singer as an individual ; Classification of voices ; Voices and roles ; Other voices -- Words and music : concepts and definitions. Spoken dialogue ; Melodrama ; Recitative ; Arioso ; Aria and song -- Recitative and aria. The Metastasian ideal ; Variations : recitative ; Scenes in recitative ; Aria without recitative -- Duet, trio, quartet, quintet. Duet as an extension of aria ; Larger ensembles -- Finale and introduction -- The chorus. The chorus as scenery ; The chorus as sound ; The chorus as narrator and commentator ; The chorus as protagonist -- The orchestra and its use. eginnings : the continuo and the singer ; Monteverdi and expansion of the orchestra ; Later seventeenth-century practice ; Neapolitan opera and spectacular singing ; Mozart, Gluck, and the accompanying orchestra ; The nineteenth century and the giant orchestra ; The twentieth century : reaction against the giant orchestra ; On and off-stage music -- Prelude and overture. The call to attention ; Prelude ; The potpourri opening ; The formalized overture ; Miscellaneous openings -- Dance and pantomime. Nineteenth-century struggles ; Other countries ; Dance as scenery ; Principals as dancers ; Pantomime and gesture -- Opera and music drama -- Summation : opera as music and drama.".
- catalog extent "xii, 245 p.".
- catalog hasFormat "Opera.".
- catalog isFormatOf "Opera.".
- catalog issued "1966".
- catalog issued "1966.".
- catalog language "eng".
- catalog publisher "Boston Allyn and Bacon,".
- catalog relation "Opera.".
- catalog subject "782.1".
- catalog subject "ML1700 .H34".
- catalog subject "Opera.".
- catalog tableOfContents "The singers. The singer as an individual ; Classification of voices ; Voices and roles ; Other voices -- Words and music : concepts and definitions. Spoken dialogue ; Melodrama ; Recitative ; Arioso ; Aria and song -- Recitative and aria. The Metastasian ideal ; Variations : recitative ; Scenes in recitative ; Aria without recitative -- Duet, trio, quartet, quintet. Duet as an extension of aria ; Larger ensembles -- Finale and introduction -- The chorus. The chorus as scenery ; The chorus as sound ; The chorus as narrator and commentator ; The chorus as protagonist -- The orchestra and its use. eginnings : the continuo and the singer ; Monteverdi and expansion of the orchestra ; Later seventeenth-century practice ; Neapolitan opera and spectacular singing ; Mozart, Gluck, and the accompanying orchestra ; The nineteenth century and the giant orchestra ; The twentieth century : reaction against the giant orchestra ; On and off-stage music -- Prelude and overture. The call to attention ; Prelude ; The potpourri opening ; The formalized overture ; Miscellaneous openings -- Dance and pantomime. Nineteenth-century struggles ; Other countries ; Dance as scenery ; Principals as dancers ; Pantomime and gesture -- Opera and music drama -- Summation : opera as music and drama.".
- catalog title "Opera [by] Charles Hamm.".
- catalog type "text".