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- catalog alternative "Musique de la Bible révélée. English".
- catalog contributor b3748253.
- catalog contributor b3748254.
- catalog created "c1991.".
- catalog date "1991".
- catalog date "c1991.".
- catalog dateCopyrighted "c1991.".
- catalog description "Book II. The Psalmodic system -- I. The seven lower signs: a scale limited to seven degrees -- II. The meaning of the upper signs -- III. The modality of the psalmody -- minimally varied -- IV. A very simple use of rhythm -- delicately measured -- V. The syntax of the Psalms -- Annotation: The technical safeguards surrounding this restitution -- Appendix: How the resolution of the ornamentations is affected by the particular positions of the upper signs -- Supplement II: The traditional cantillations do not take into account the accent signs.".
- catalog description "Includes bibliographical references (p. 518-526) and index.".
- catalog description "Part One: A musical discovery faces history -- Introduction I: The spirit of the priestly music of the Hebrews -- Ancient music has been preserved in spirt of its oblivion in practice -- I: A brief explanation of the deciphering key -- The cantillation signs of the Hebrew Bible guarded an unsuspected music -- II: The Tiberian system of notation -- The Tiberian system is an anachronistic notation of exemplary efficiency -- III: Chironomy: The answer to the neumatic notations -- The principle of chironomy accounts for the features of the Tiberian notation and the conformation of the reconstituted music -- IV: Etymology of the meanings symbolized by the Tiberian notation -- Correlation between the meanings of the signs in the Tiberian notation and the deciphering key indicates the ensemble was conceived as a whole".
- catalog description "Part Two: The deciphering process the syntax of the reconstituted monodies -- Book I: The Prosodic System -- Introduction II: The simple conformation of ancient music does not rule out its being an accomplished art -- Chapter I: Experimental investigation of the musical notation of the Bible -- The two systems comprising this notation are both similar and complementary -- Chapter II: The Prosadic system: the lower signs -- The lowers signs represent basic degrees of a diatonic scale -- III. How the mode is ascertained -- IV. The simpler upper signs -- The upper signs represent simple melismas or ornamentations subordinated to the meanings represented by the lower signs -- V. The unnoted rhythm of the biblical prosody -- The system does not include a specific rhythmic notation -- VI. The composite upper signs -- These, too, represent melismas subordinate to the basic constituent degrees. Three signs are rarely encountered in the prosodic system. The ultimate proof of the key is the Decalogue -- VII. The syntax of the biblical prosody".
- catalog description "V. Brilliant liturgical music revealed by the deciphering key -- Only in antiquity could such music have been crated -- VI. Relation of this music to synagogue chants -- Traditional cantillations are the product of the synagogue, which explains their nonprofessional character. Coincidences between some synagogue chants (as well as some plain-chants) and the reconstituted biblical chant confirm the latter's authenticity -- VII. Conclusion -- This resurrected music originated before the Christian era, as did the ancestral names, the written signs, and the tonal values they represent -- Supplement I: A theoretical syntax as the source of the Tiberian notation".
- catalog extent "xviii, 557 p. :".
- catalog hasFormat "Music of the Bible revealed.".
- catalog identifier "094103710X :".
- catalog isFormatOf "Music of the Bible revealed.".
- catalog issued "1991".
- catalog issued "c1991.".
- catalog language "eng fre".
- catalog language "eng".
- catalog publisher "Berkeley, CA : BIBAL Press ; San Francisco, CA. : King David's Harp,".
- catalog relation "Music of the Bible revealed.".
- catalog subject "781.76/00148 20".
- catalog subject "Cantillation.".
- catalog subject "Jews Music History and criticism.".
- catalog subject "ML166 .H3313 1991".
- catalog subject "Music in the Bible.".
- catalog tableOfContents "Book II. The Psalmodic system -- I. The seven lower signs: a scale limited to seven degrees -- II. The meaning of the upper signs -- III. The modality of the psalmody -- minimally varied -- IV. A very simple use of rhythm -- delicately measured -- V. The syntax of the Psalms -- Annotation: The technical safeguards surrounding this restitution -- Appendix: How the resolution of the ornamentations is affected by the particular positions of the upper signs -- Supplement II: The traditional cantillations do not take into account the accent signs.".
- catalog tableOfContents "Part One: A musical discovery faces history -- Introduction I: The spirit of the priestly music of the Hebrews -- Ancient music has been preserved in spirt of its oblivion in practice -- I: A brief explanation of the deciphering key -- The cantillation signs of the Hebrew Bible guarded an unsuspected music -- II: The Tiberian system of notation -- The Tiberian system is an anachronistic notation of exemplary efficiency -- III: Chironomy: The answer to the neumatic notations -- The principle of chironomy accounts for the features of the Tiberian notation and the conformation of the reconstituted music -- IV: Etymology of the meanings symbolized by the Tiberian notation -- Correlation between the meanings of the signs in the Tiberian notation and the deciphering key indicates the ensemble was conceived as a whole".
- catalog tableOfContents "Part Two: The deciphering process the syntax of the reconstituted monodies -- Book I: The Prosodic System -- Introduction II: The simple conformation of ancient music does not rule out its being an accomplished art -- Chapter I: Experimental investigation of the musical notation of the Bible -- The two systems comprising this notation are both similar and complementary -- Chapter II: The Prosadic system: the lower signs -- The lowers signs represent basic degrees of a diatonic scale -- III. How the mode is ascertained -- IV. The simpler upper signs -- The upper signs represent simple melismas or ornamentations subordinated to the meanings represented by the lower signs -- V. The unnoted rhythm of the biblical prosody -- The system does not include a specific rhythmic notation -- VI. The composite upper signs -- These, too, represent melismas subordinate to the basic constituent degrees. Three signs are rarely encountered in the prosodic system. The ultimate proof of the key is the Decalogue -- VII. The syntax of the biblical prosody".
- catalog tableOfContents "V. Brilliant liturgical music revealed by the deciphering key -- Only in antiquity could such music have been crated -- VI. Relation of this music to synagogue chants -- Traditional cantillations are the product of the synagogue, which explains their nonprofessional character. Coincidences between some synagogue chants (as well as some plain-chants) and the reconstituted biblical chant confirm the latter's authenticity -- VII. Conclusion -- This resurrected music originated before the Christian era, as did the ancestral names, the written signs, and the tonal values they represent -- Supplement I: A theoretical syntax as the source of the Tiberian notation".
- catalog title "Musique de la Bible révélée. English".
- catalog title "The music of the Bible revealed : the deciphering of a millenary notation / Suzanne Haïk-Vantoura ; translated by Dennis Weber ; edited by John Wheeler.".
- catalog type "text".