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- catalog alternative "Broadway musicals".
- catalog contributor b4274181.
- catalog contributor b4274182.
- catalog created "c1993.".
- catalog date "1993".
- catalog date "c1993.".
- catalog dateCopyrighted "c1993.".
- catalog description "Ch. 1. Sondheim's Career and Output. The Hammerstein Connection. College Activities. A Student in New York. Journeyman Work. Sondheim as Lyricist: West Side Story. A Decade of Uncertainty. A Career in Full Flight. Into the 1990s -- Ch. 2. The Compositional Process. General Considerations. Lyric Sketches. Prosody. Music Sketches. The Score. Orchestration. Literary Sources -- Ch. 3. A Funny Thing Happened on the Way to the Forum. Farce as Genre. Plautus, New Comedy, and "Trick" Songs. The Score and Its Profile. The Broadway Matrix and Hispanic Features. Refrain and Motif Songs: Structural Ambiguities. The Meaning of Song Construction. The Whole Song -- Ch. 4. Anyone Can Whistle. The Motivic Score. Act 1. Act 2. Act 3. The Generic Scheme. Divertissement Songs. Symphonic Songs. A Score in Search of a Show? -- Ch. 5. Company. The Concept Musical. The Modernist Lyric. Urban Music. The Score as a Whole. The Need for Deconstruction. The Question of the Ending. The Four Last Songs -- ".
- catalog description "Ch. 10. Merrily We Roll Along. The Problem of the Show Musical. The Historical Metaphor. Concordances of the Reverse Narrative. Musical Planes: Frank and Gussie. Modular Furniture: The Popular Song Analyzed. Stylistic Unity and the Return to Broadway. The Show Song and Its Meanings -- Ch. 11. Sunday in the Park with George. The Joyous Synthesis. Wagner, Musical Impressionism, and the Synaesthetic Circle. Chromatic Theory. Chromaticism, Diatonicism, and Pointillism in the Score. Promenades. Theme and Variation. Toward a Fundamental Aesthetic. Sondheim Moves On -- Ch. 12. Into the Woods. A Fairy Tale Musical. Morals and Choices. Musical and Lyric Simplicity. Beans and Spells. Pentatonic Innocence and Children's Games. The Music of a Community. The Achievement -- Selective List of Sources -- Index of Songs and Musical Numbers.".
- catalog description "Ch. 6. Follies. The Image in the Mirror. The List Song. Song as Folly. Diegetic Song. Character Groupings in Follies. The Pastiches. The Ghost Music. The Original Music. In Praise of Folly -- Ch. 7. A Little Night Music. Sondheim's Middle Period. Folly Once More, and Its Motifs. Period Tone: The Nineteenth Century. The Waltz and Its Symbolism. The Metric Fount: Hemiola. Character Dances and Further Rhythmic Resources. The Lyrics and Hemiola. Lyrics and the Luftpause. The Ending -- Ch. 8. Pacific Overtures. The Orientalist Tradition. Pacific Overtures as Historical Pageant. The Reflexive Dimension. Aspects of the Lyrics. Multiple Perspectives in the Music. The Phrygian Matrix and Stylistic Unity. The Kabuki Element. Ritual Form and the Mimetic Interlude -- Ch. 9. Sweeney Todd. A Piece That Sings. Is Sweeney Todd Opera? Diegetic Musical Motifs. The Dies Irae. Structural Processes in the Score. The Range of the Score. The Universal Ballad -- ".
- catalog description "Includes bibliographical references (p. 411-419) and indexes.".
- catalog extent "xvi, 453 p. :".
- catalog hasFormat "Sondheim's Broadway musicals.".
- catalog identifier "0472102230 (alk. paper)".
- catalog isFormatOf "Sondheim's Broadway musicals.".
- catalog isPartOf "Michigan American music series.".
- catalog isPartOf "The Michigan American music series".
- catalog issued "1993".
- catalog issued "c1993.".
- catalog language "eng".
- catalog publisher "Ann Arbor : University of Michigan Press,".
- catalog relation "Sondheim's Broadway musicals.".
- catalog spatial "New York (State) New York".
- catalog subject "ML410.S6872 B3 1993".
- catalog subject "Musicals New York (State) New York History and criticism.".
- catalog subject "Sondheim, Stephen. Musicals.".
- catalog tableOfContents "Ch. 1. Sondheim's Career and Output. The Hammerstein Connection. College Activities. A Student in New York. Journeyman Work. Sondheim as Lyricist: West Side Story. A Decade of Uncertainty. A Career in Full Flight. Into the 1990s -- Ch. 2. The Compositional Process. General Considerations. Lyric Sketches. Prosody. Music Sketches. The Score. Orchestration. Literary Sources -- Ch. 3. A Funny Thing Happened on the Way to the Forum. Farce as Genre. Plautus, New Comedy, and "Trick" Songs. The Score and Its Profile. The Broadway Matrix and Hispanic Features. Refrain and Motif Songs: Structural Ambiguities. The Meaning of Song Construction. The Whole Song -- Ch. 4. Anyone Can Whistle. The Motivic Score. Act 1. Act 2. Act 3. The Generic Scheme. Divertissement Songs. Symphonic Songs. A Score in Search of a Show? -- Ch. 5. Company. The Concept Musical. The Modernist Lyric. Urban Music. The Score as a Whole. The Need for Deconstruction. The Question of the Ending. The Four Last Songs -- ".
- catalog tableOfContents "Ch. 10. Merrily We Roll Along. The Problem of the Show Musical. The Historical Metaphor. Concordances of the Reverse Narrative. Musical Planes: Frank and Gussie. Modular Furniture: The Popular Song Analyzed. Stylistic Unity and the Return to Broadway. The Show Song and Its Meanings -- Ch. 11. Sunday in the Park with George. The Joyous Synthesis. Wagner, Musical Impressionism, and the Synaesthetic Circle. Chromatic Theory. Chromaticism, Diatonicism, and Pointillism in the Score. Promenades. Theme and Variation. Toward a Fundamental Aesthetic. Sondheim Moves On -- Ch. 12. Into the Woods. A Fairy Tale Musical. Morals and Choices. Musical and Lyric Simplicity. Beans and Spells. Pentatonic Innocence and Children's Games. The Music of a Community. The Achievement -- Selective List of Sources -- Index of Songs and Musical Numbers.".
- catalog tableOfContents "Ch. 6. Follies. The Image in the Mirror. The List Song. Song as Folly. Diegetic Song. Character Groupings in Follies. The Pastiches. The Ghost Music. The Original Music. In Praise of Folly -- Ch. 7. A Little Night Music. Sondheim's Middle Period. Folly Once More, and Its Motifs. Period Tone: The Nineteenth Century. The Waltz and Its Symbolism. The Metric Fount: Hemiola. Character Dances and Further Rhythmic Resources. The Lyrics and Hemiola. Lyrics and the Luftpause. The Ending -- Ch. 8. Pacific Overtures. The Orientalist Tradition. Pacific Overtures as Historical Pageant. The Reflexive Dimension. Aspects of the Lyrics. Multiple Perspectives in the Music. The Phrygian Matrix and Stylistic Unity. The Kabuki Element. Ritual Form and the Mimetic Interlude -- Ch. 9. Sweeney Todd. A Piece That Sings. Is Sweeney Todd Opera? Diegetic Musical Motifs. The Dies Irae. Structural Processes in the Score. The Range of the Score. The Universal Ballad -- ".
- catalog title "Broadway musicals".
- catalog title "Sondheim's Broadway musicals / Stephen Banfield.".
- catalog type "Criticism, interpretation, etc. fast".
- catalog type "text".