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- catalog abstract "A photojournalist bored with daily newspaper work, Dianne Hagaman set out to do a project that would be freer and more complete. She began by photographing alcoholics on the Seattle streets, then moved to the missions where they seek food and shelter and to the churches whose members volunteer to work in the missions. Hagaman's understanding of her subjects grew more complicated as she started to reconsider the nature of religion in America more generally - including the. Role of the media, hierarchy, sexism, and evangelism. She found that she had to change the way she photographed and, more important, her conception of what constituted a "good photo." Hagaman begins by describing the practices of contemporary photojournalism. Then, through these fifty-nine photographs, she tells how she painfully unlearned the professional skills that had served her as a journalist but prevented a full visual analysis of social reality. This engaging. Photographic essay combines an intimate knowledge of photography with a critical view of the organizational basis for its practice. Hagaman's progressive liberation from professional constraints will have meaning for anyone who analyzes society: social scientists, journalists, writers, and, most of all, photographers.".
- catalog contributor b9340223.
- catalog created "c1996.".
- catalog date "1996".
- catalog date "c1996.".
- catalog dateCopyrighted "c1996.".
- catalog description "A photojournalist bored with daily newspaper work, Dianne Hagaman set out to do a project that would be freer and more complete. She began by photographing alcoholics on the Seattle streets, then moved to the missions where they seek food and shelter and to the churches whose members volunteer to work in the missions. Hagaman's understanding of her subjects grew more complicated as she started to reconsider the nature of religion in America more generally - including the.".
- catalog description "I. Photojournalism. "Out of the darkroom and into the newsroom" The Missouri Crusade and the Struggle for Autonomy. The Switch to 35mm and Its Consequences. Religion -- II. How I Learned Not To Be a Photojournalist. Getting Started. Finding a "Home" Making a New Kind of Photograph. Stepping Back. Getting Rid of the "Holy Aura" Organizing Information Visually. Making Each Photograph Part of a Larger Whole. Expanding Boundaries. Mass Communications. Secular Space. Normal Photography. Televangelism. Shaping Children. The White Dress. Women and Children. Contradictions. Faith Healing. "Easy" Targets -- III. What Am I Looking At? "I intended the photographs to embody the analysis" Finding the Vocabulary.".
- catalog description "Includes bibliographical references (p. 148-149) and index.".
- catalog description "Photographic essay combines an intimate knowledge of photography with a critical view of the organizational basis for its practice. Hagaman's progressive liberation from professional constraints will have meaning for anyone who analyzes society: social scientists, journalists, writers, and, most of all, photographers.".
- catalog description "Role of the media, hierarchy, sexism, and evangelism. She found that she had to change the way she photographed and, more important, her conception of what constituted a "good photo." Hagaman begins by describing the practices of contemporary photojournalism. Then, through these fifty-nine photographs, she tells how she painfully unlearned the professional skills that had served her as a journalist but prevented a full visual analysis of social reality. This engaging.".
- catalog extent "ix, 149 p. :".
- catalog hasFormat "How I learned not to be a photojournalist.".
- catalog identifier "0813108705 (pbk. : alk. paper)".
- catalog identifier "0813119588 (cloth : alk. paper)".
- catalog isFormatOf "How I learned not to be a photojournalist.".
- catalog issued "1996".
- catalog issued "c1996.".
- catalog language "eng".
- catalog publisher "Lexington : University Press of Kentucky,".
- catalog relation "How I learned not to be a photojournalist.".
- catalog spatial "United States".
- catalog spatial "United States.".
- catalog subject "770/.92 B 20".
- catalog subject "Hagaman, Dianne, 1950-".
- catalog subject "Photographers United States Biography.".
- catalog subject "Photojournalism United States.".
- catalog subject "Photojournalists United States Biography.".
- catalog subject "TR140.H24 A3 1996".
- catalog subject "Women photographers United States Biography.".
- catalog tableOfContents "I. Photojournalism. "Out of the darkroom and into the newsroom" The Missouri Crusade and the Struggle for Autonomy. The Switch to 35mm and Its Consequences. Religion -- II. How I Learned Not To Be a Photojournalist. Getting Started. Finding a "Home" Making a New Kind of Photograph. Stepping Back. Getting Rid of the "Holy Aura" Organizing Information Visually. Making Each Photograph Part of a Larger Whole. Expanding Boundaries. Mass Communications. Secular Space. Normal Photography. Televangelism. Shaping Children. The White Dress. Women and Children. Contradictions. Faith Healing. "Easy" Targets -- III. What Am I Looking At? "I intended the photographs to embody the analysis" Finding the Vocabulary.".
- catalog title "How I learned not to be a photojournalist / Dianne Hagaman.".
- catalog type "Biography. fast".
- catalog type "text".