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- catalog abstract "Taking a fresh look at the art world of the 1960s, Caroline Jones explores the pervasive imagery of the American artist at work and the implications of those images for understanding their art. The radical break of artists with Abstract Expressionism at the end of the 1950s demonstrates the traditional modernist view of the solitary, suffering artist did not seduce those who came of age in the burgeoning American economy of the 1960s. Jones argues that far from the countercultural stance associated with the decade, the artists examined here - including Stella, Warhol, and Smithson - identified their work with postwar industry and corporate culture and revealed the anxieties of this identification through the slippages and darker implications of their work. Drawing on extensive interviews with artists and their assistants as well as close readings of artworks, Jones explains that much of the major work of the 1960s was compelling precisely because it was "mainstream"--Central to the visual and economic culture of its time.".
- catalog contributor b10153613.
- catalog created "c1996.".
- catalog date "1996".
- catalog date "c1996.".
- catalog dateCopyrighted "c1996.".
- catalog description "Drawing on extensive interviews with artists and their assistants as well as close readings of artworks, Jones explains that much of the major work of the 1960s was compelling precisely because it was "mainstream"--Central to the visual and economic culture of its time.".
- catalog description "Includes bibliographical references (p. 469-513)and index.".
- catalog description "Taking a fresh look at the art world of the 1960s, Caroline Jones explores the pervasive imagery of the American artist at work and the implications of those images for understanding their art. The radical break of artists with Abstract Expressionism at the end of the 1950s demonstrates the traditional modernist view of the solitary, suffering artist did not seduce those who came of age in the burgeoning American economy of the 1960s. Jones argues that far from the countercultural stance associated with the decade, the artists examined here - including Stella, Warhol, and Smithson - identified their work with postwar industry and corporate culture and revealed the anxieties of this identification through the slippages and darker implications of their work.".
- catalog description "The romance of the studio and the abstract expressionist sublime -- Filming the artist/Suturing the spectator -- Frank Stella, executive artist -- Andy Warhol's factory, commonism, and the business art business -- Post-studio/Postmodern: Robert Smithson and the technological sublime -- Conclusion: The machine in the studio.".
- catalog extent "xxii, 541 p., [8] p. of plates :".
- catalog identifier "0226406482 (alk. paper)".
- catalog issued "1996".
- catalog issued "c1996.".
- catalog language "eng".
- catalog publisher "Chicago : University of Chicago Press,".
- catalog spatial "United States.".
- catalog subject "709/.73/09045 20".
- catalog subject "Art, American 20th century.".
- catalog subject "Art, American.".
- catalog subject "Art, Modern 20th century United States.".
- catalog subject "Artists United States.".
- catalog subject "N6512 .J66 1996".
- catalog tableOfContents "The romance of the studio and the abstract expressionist sublime -- Filming the artist/Suturing the spectator -- Frank Stella, executive artist -- Andy Warhol's factory, commonism, and the business art business -- Post-studio/Postmodern: Robert Smithson and the technological sublime -- Conclusion: The machine in the studio.".
- catalog title "Machine in the studio : constructing the postwar American artist / Caroline A. Jones.".
- catalog type "text".