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- catalog contributor b11047542.
- catalog created "1999.".
- catalog date "1999".
- catalog date "1999.".
- catalog dateCopyrighted "1999.".
- catalog description "Includes bibliographical references (p. 146-149) and index.".
- catalog description "pt. 1. The canonical avant-garde. Origins of the moving image (1780-1880). Photography. Art and the avant-garde: summary 1909-20. The cubists. Primitives and pioneers (1880-1915). Futurists. Abstract film. The comic burlesque. The Art Cinema and its circuit. Cine-poems and lyric abstraction. Origins of abstract film. The absolute film. Cubism and poular film. Dada and surrealist film. The French avant-garde 1924-32. Voice and vision in the pre-war avant-garde. Transition: into the 1930s and documentary. Reviewing the first avant-garde. Origins of the post-war avant-garde. Underground. Two avant-gardes (mark 1)? Structural -- pt. 2. Britain, 1966-98. English structuralists. Primitives and post-structuralists. Video stirs. Art and politics. A cinema of small gestures. Rebel waves. Art Cinema's odd couple: Derek Jarman and Peter Greenaway. New pluralism. Black British. Electronic arts. yBa. 'Where are we now?'. Points of resistance.".
- catalog extent "viii, 152 p., 32 p. of plates :".
- catalog identifier "0851706819 (pbk.) :".
- catalog identifier "0851706843".
- catalog issued "1999".
- catalog issued "1999.".
- catalog language "eng".
- catalog publisher "London : BFI Pub.,".
- catalog spatial "Grande-Bretagne".
- catalog spatial "Great Britain".
- catalog subject "791.43/75/0941 21".
- catalog subject "Experimental films Great Britain History and criticism.".
- catalog subject "Experimental films History and criticism.".
- catalog subject "Experimental films History.".
- catalog subject "Films expérimentaux Grande-Bretagne Histoire et critique.".
- catalog subject "Films expérimentaux Histoire et critique.".
- catalog subject "PN1995.9.E96 R39 1999".
- catalog tableOfContents "pt. 1. The canonical avant-garde. Origins of the moving image (1780-1880). Photography. Art and the avant-garde: summary 1909-20. The cubists. Primitives and pioneers (1880-1915). Futurists. Abstract film. The comic burlesque. The Art Cinema and its circuit. Cine-poems and lyric abstraction. Origins of abstract film. The absolute film. Cubism and poular film. Dada and surrealist film. The French avant-garde 1924-32. Voice and vision in the pre-war avant-garde. Transition: into the 1930s and documentary. Reviewing the first avant-garde. Origins of the post-war avant-garde. Underground. Two avant-gardes (mark 1)? Structural -- pt. 2. Britain, 1966-98. English structuralists. Primitives and post-structuralists. Video stirs. Art and politics. A cinema of small gestures. Rebel waves. Art Cinema's odd couple: Derek Jarman and Peter Greenaway. New pluralism. Black British. Electronic arts. yBa. 'Where are we now?'. Points of resistance.".
- catalog title "A history of experimental film and video : from canonical avant-garde to contemporary British practice / A.L. Rees.".
- catalog type "text".